Ballet by John Neumeier | Third Symphony of Gustav Mahler
Tue, Jun. 11, 2024, 7.30 pm - 9.30 pm
Edvin Revazov
Principal
BORN
30.12.83 in Sevastopol. Ukrainian
EDUCATION
Moscow School
The School of the Hamburg Ballet
MAIN TEACHERS
Boris Rachmanin, Radik Zaripov
ENGAGEMENT
Hamburg Ballet since 2003, Soloist in 2007, Principal since 2010
CREATIONS
Tadzio in "Death in Venice"
Parzival in "Parzival – Episodes and Echo"
Apollo in "Orpheus"
Gate Keeper in "Liliom"
Eugene Onegin in "Tatiana"
Count Alexei Kirillovich Vronsky in "Anna Karenina"
Tennessee in "The Glass Menagerie"
An Officer in "Dona Nobis Pacem"
and solos in
Christmas Oratorio
Purgatorio
Um Mitternacht
Beethoven Project I
Ghost Light
Beethoven Project II
Herr Sprüngli (Yohan Stegli)
Renku (Yuka Oishi / Orkan Dann)
REPERTORY
Günter and Arabian Dance in "The Nutcracker"
Romeo and Brother Lorenzo in "Romeo and Juliet"
Wolfgang Amadeus in "Windows on MOZART"
Semyon Semyonovich Medvedenko in "The Seagull"
Cassio in "Othello"
The Angel in "The Legend of Joseph"
Endymion in "Sylvia"
Kiefaber and Allan's Friend in "A Streetcar Named Desire"
Armand Duval in "Lady of the Camellias"
The Man in the Shadow and Count Alexander in "Illusions - like Swan Lake"
A Man in "Seasons – The Colors of Time"
Theseus/Oberon and Lysander in "A Midsummer Night's Dream"
Serge Diaghilev and Thomas Nijinsky in "Nijinsky"
Hamlet in "Hamlet"
Albert in "Giselle"
The Prince in "A Cinderella Story"
Peer Gynt in "Peer Gynt"
Orphée in "Orphée et Eurydice"
Gustav von Aschenbach and Frederick the Great in "Death in Venice"
King Florestan XXIV in "The Sleeping Beauty" (new version 2021)
Liliom in "Liliom"
Harold Mitchell (Mitch) in "A Streetcar Named Desire"
The Prodigal Son in "The Prodigal Son" (George Balanchine)
Madge, a Witch in "La Sylphide" (Pierre Lacotte after Filippo Taglioni)
Man in Purple in "Dances at a Gathering" (Jerome Robbins)
Onegin in "Onegin" (John Cranko)
King Leontes in "The Winter's Tale" (Christopher Wheeldon)
and solos in
Requiem
Nocturnes from "Songs of the Night"
Soldier Songs (Des Knaben Wunderhorn)
Verklungene Feste
Fourth Symphony of Gustav Mahler
Afternoon of a Faun
Le Sacre
Third Symphony of Gustav Mahler
Préludes CV
Saint Matthew Passion
The Fifth Symphony of Gustav Mahler
Vaslav
Les Sylphides (Michail Fokine)
Reflet (Stefano Palmigiano)
Liebeslieder Walzer (George Balanchine)
Brahms-Schoenberg Quartet (George Balanchine)
GUESTING
Munich (Armand Duval in "Lady of the Camellias", Bavarian State Opera), Stuttgart, Lausanne, London, Milan (Armand Duval in "Lady of the Camellias", Teatro alla Scala), Tallinn, Riga, Moscow (Armand Duval in "Lady of the Camellias", Bolshoi Theatre), Buenos Aires, Hong Kong, Tokyo (World Ballet Festival 2015 and 2018), Beijing
HE CHOREOGRAPHED
"Coco Rosie"
Premiere: Young Choreographers, Hamburg, 2011
"Zozula"
Premiere: Young Choreographers, Hamburg, 2012
"Anima"
Premiere: Young Choreographers, Hamburg, 2015
"Vesna"
Premiere: Young Choreographers, Hamburg, 2016
"Closed Rooms"
Premiere: Young Choreographers, Hamburg, 2017
"Rain memories"
Premiere: National Youth Ballet, 2017
"Shakespeare – Sonnets"
Premiere: Hamburg Ballet, 2019
HE FOUNDED
a new ballet company in 2023: The Hamburg Chamber Ballet – Edvin Revazov, as choreographic director, gives a new artistic home to refugee Ukrainian dancers.
HE STAGED NEUMEIER'S BALLET
"Anna Karenina" for the Bolshoi Theatre in Moscow
AWARDS
Dr. Wilhelm Oberdörffer-Prize 2007
German Theater Prize DER FAUST 2007
Danza&Danza Prize – Best Upcoming Dancer 2008
Premio Positano Léonide Massine 2018
John Neumeier Prize for Choreography 2023
Find further information about Edvin Revazov here.
Anna Laudere
Principal
BORN
19.2.83 in Sigulda. Latvian
EDUCATION
Riga Ballet School
The School of the Hamburg Ballet
MAIN TEACHERS
Valentins Blinovs, Marianne Kruuse, Kevin Haigen, Irina Jacobson, Radik Zaripov
ENGAGEMENT
Hamburg Ballet since 2001, promoted Soloist in 2008 and Principal in 2011
CREATIONS
The Maiden-who-never-laughs in "Parzival – Episodes and Echo"
Calliope in "Orpheus"
The Friend (Isadora Duncan) in "Duse"
Anna Arkadyevna Karenina in "Anna Karenina"
A Widow in "Dona Nobis Pacem"
and solos in
Nachtwanderung from "Songs of the Night"
Purgatorio
Um Mitternacht
Beethoven Project I
Ghost Light
Beethoven Project II
A Foreign Sound (Thiago Bordin)
At Asyl-Um (Luva-Andrea Tessarini)
Anima (Edvin Revazov)
REPERTORY
Lady Capulet and Rosalind in "Romeo and Juliet"
Cinderella, Cinderella's Mother, A Stepsister and Princess from Another Country in "A Cinderella Story"
Irina Nikolayevna Arkadina, Primaballerina and Nina Mikhailovna Zarechnaya in "The Seagull"
Desdemona in "Othello"
Eleonora Bereda in "Nijinsky"
Odette and Princess Claire in "Illusions - like Swan Lake"
Hermia in "A Midsummer Night's Dream"
Marguerite Gautier and Manon Lescaut in "Lady of the Camellias"
Louise and La Fille du Pharaon in "The Nutcracker"
Ophelia in "Hamlet"
Mrs. Muskat in "Liliom"
Giselle and Myrtha in "Giselle"
Tatiana Larina in "Tatiana"
Solveig and Aase in "Peer Gynt"
Eurydice in "Orphée et Eurydice"
La Barbarina and Aschenbach's assistant, his mother and Tadzio's mother in "Death in Venice"
Aminta in "Sylvia"
The Queen and The Rose in "The Sleeping Beauty" (new version 2021)
Blanche DuBois in "A Streetcar Named Desire"
Penelope in *Odyssey"
The Siren in "The Prodigal Son" (George Balanchine)
Woman in Mauve and in Green in "Dances at a Gathering" (Jerome Robbins)
The Wife and the Ballerina in "The Concert" (Jerome Robbins)
Tatiana in "Onegin" (John Cranko)
The Queen of the Dryads in "Don Quixote" (Rudolf Nurejev after Marius Petipa)
Queen Hermione in "The Winter's Tale" (Christopher Wheeldon)
Blanche Ingram in "Jane Eyre" (Cathy Marston)
and solos in
Christmas Oratorio I-VI (she danced this role for the premiere)
Verklungene Feste
Saint Matthew Passion
Requiem
Vaslav
Seasons – The Colors of Time
Adagietto
Third Symphony of Gustav Mahler
Le Sacre
Préludes CV
Winterreise
Messias
Turangalîla
Soldier Songs (Des Knaben Wunderhorn)
The Fifth Symphony of Gustav Mahler
Nocturnes
Les Sylphides (Michail Fokine)
Jewels – Emeralds/Rubies (George Balanchine)
Reflet (Stefano Palmigiano)
Liebeslieder Walzer (George Balanchine)
Brahms-Schoenberg Quartet (George Balanchine)
GUESTING
Munich (Marguerite Gautier in "Lady of the Camellias", Bavarian State Opera), Stuttgart, Lausanne, London, Milan (Marguerite Gautier in "Lady of the Camellias", Teatro alla Scala), Tallinn, Riga, Moscow, Buenos Aires, Hong Kong, Tokyo (World Ballet Festival 2015 and 2018), Beijing
AWARDS
Dr. Wilhelm Oberdörffer-Prize 2008
Premio Positano Léonide Massine 2018
Latvian Excellence Award in Culture 2019
The Russian-Italian Prize Benois-Massine 2019
Order of the Three Stars – Highest civilian order awarded for meritorious service to Latvia
Find further information about Anna Laudere here.
Xue Lin
Principal
BORN
9.11.91 in Beijing. Chinesin
EDUCATION
Beijing Dance Academy
The School of the Hamburg Ballet
MAIN TEACHERS
Yuanmei Cai, Kevin Haigen, Marianne Kruuse
ENGAGEMENT
Hamburg Ballet since 2011, Soloist since 2016, Principal since 2022
CREATIONS
The Ballerina Istomina as Cleopatra in "Tatiana"
A Mystic in "Dona Nobis Pacem"
and solos in
Meine Vorstellung von der Wirklichkeit (Braulio Alvarez)
3x2 für M&M (Constant Vigier)
Mizaru – Kikazaru – Iwazaru (Miljana Vracaric)
Into this Wild Abyss (Braulio Alvarez)
Meant to Fly (Winnie Dias)
At Asyl-Um (Luca Andrea Tessarini)
Aether (Luca Andrea Tessarini)
REPERTORY
Odette, Princess Claire and Quadrille in "Illusions - like Swan Lake"
Rosalind and Emilia in "Romeo and Juliet"
Silvia in "Préludes CV"
The Little Mermaid in "The Little Mermaid"
La Primavera in "Othello"
Moyna and Zulma in "Giselle"
Manon Lescaut and Olympia in "Lady of the Camellias"
Louise, La Fille du Pharaon, The Chinese Bird and Pas de huit in "The Nutcracker"
The Ballerina, Tamara Karsavina in "Nijinsky"
Masha in "The Seagull"
Woman I in "Bernstein Dances"
Anna Karenina and Lidia Ivanovna in "Anna Karenina"
Helena in "A Midsummer Night's Dream"
Princess Florine, The Rose and Aurora, the Dawn in "The Sleeping Beauty" (new version 2021)
Pallas Athene in "Odyssey"
Pas de six in "Napoli" (August Bournonville / Lloyd Riggins)
Olga in "Onegin" (John Cranko)
Amor and a Friend in "Don Quixote" (Rudolf Nurejev after Marius Petipa)
Princess Perdita in "The Winter's Tale" (Christopher Wheeldon)
and solos in
Préludes CV
Third Symphony of Gustav Mahler
Saint Matthew Passion
Messiah
The Song of the Earth
Turangalîla
Bach Suite 2
Nocturnes
Dialogue
Kinderszenen
Shall we dance?
Soldier Songs (Des Knaben Wunderhorn)
The Fifth Symphony of Gustav Mahler
Broadway's Pavlova
At Midnight
Brahms-Schoenberg Quartet (George Balanchine)
GUESTING
The Little Mermaid in "The Little Mermaid" with the National Ballet of China in Wuhan, China
AWARD
Dr.-Wilhelm-Oberdörffer Prize 2014
Find further information about Xue Lin here.
Ida Praetorius
Principal
BORN
3.9.93 in Copenhagen. Danish
EDUCATION
The Royal Danish Ballet School
MAIN TEACHERS
Nikolaj Hübbe, Adam Lüders, Eva Draw, Anne Marie Vessel Schlüter, Sorella Englund
ENGAGEMENTS
Royal Danish Ballet since 2010, 2014 Soloist, 2016 Principal
Hamburg Ballet since December 2021, as Principal
CREATIONS
in Copenhagen
Liza in "Queen of Spades" (Liam Scarlett)
Cinderella in "Cinderella" (Gregoery Dean)
Carmen in "Carmen" (Marcos Morau)
Lolita in "Lolita" (Cathy Martson)
Cecilie de Volance in "Dangerous Liaisons" (Cathy Martson)
The Child in "The Death That Best Preserves" (Natalia Horecna)
and solos in
Persistent Persuasion
Krash (Alessandro Sousa Pereira)
Traditional (Alessandro Sousa Pereira)
For Malala (Anna Lærkesen)
Terra Incognita (Robert Binet)
CREATIONS
in Hamburg
Aurora in "The Sleeping Beauty" (new version 2021)
HER in "Dona Nobis Pacem"
REPERTORY
in Copenhagen
Marguerite Gautier in "Lady of the Camellias"
Juliet in "Romeo and Juliet"
Chloe (Pas de deux) in "Daphnis and Chloe"
Eleonora in "The Kermesse in Bruges" (August Bournonville)
The Sylph in "La Sylphide" (Auguste Bournonville)
The Pupil in "The Lesson" (Flemming Flindt)
Sugar Plum Fairy and Dewdrop in "The Nutcracker" (George Balanchine)
Odette/Odile in "Swan Lake" (Nikolaj Hübbe and Silja Schandorff)
Gamzatti in "La Bayadère" (Marius Petipa and Nikolaj Hübbe)
Giselle in "Giselle" (Nikolaj Hübbe and Silja Schandorff)
Kitri in "Don Quixote" (Marius Petipa and Nikolaj Hübbe)
Henriette in "Raymonda" (Nikolaj Hübbe)
Alice in "Alice's Adventures in Wonderland" (Christopher Wheeldon)
Karen Blixen in "Blixen" (Gregory Dean)
Marianela in "Infra" (Wayne McGregor)
and solos in
Theme and Variations (George Balanchine)
Jewels – Rubies (George Balanchine)
Ballo Della Regina (George Balanchine)
Other Dances (Jerome Robbins)
Etudes (Harald Lander)
Napoli (Auguste Bournonville)
Flower Festival (Auguste Bournonville)
Symphony of Psalms (Jirí Kylián)
Short Time Together (Paul Lightfoot and Sol León)
REPERTORY
in Hamburg
Princess Aurora Princess Florine and Aurora, the dawn in "The Sleeping Beauty" (new version 2021)
Julie in "Liliom"
Woman I in "Bernstein Dances"
Esmeralda and the Clowns in "The Nutcracker"
Marguerite Gautier in "Lady of the Camellias"
Princess Natalia in "Illusions – like Swan Lake"
Romola Nijinsky and The Ballerina, Tamara Karsavina in "Nijinsky"
Blanche DuBois in "A Streetcar Named Desire"
Pallas Athene in "Odyssey"
Queen Hermione in "The Winter's Tale" (Christopher Wheeldon)
Jane Eyre in "Jane Eyre" (Cathy Marston)
and solos in
Beethoven Project II
Third Symphony of Gustav Mahler
GUESTING
Hamburg (John Neumeier's 80th Birthday Gala 2019, Nijinsky Gala 2013 and 2021), New York (Bournonville Tour 2015 and 2019), Sun Valley, CA (Ballet Sun Valley Gala 2017 and 2018), Taichung (Gala 2017), Jakarta (Gala 2017), Moscow (Gala for Boris Akimov 2016), Montréal (Festival des arts des Saint-Sauveur 2013), Houston (Dance Salad Festival 2014 and 2019), Berlin (Taglioni European Ballet Award 2014), L'Aquila (728° Perdonanza Celestiniana, 2022)
AWARDS
The Erik Bruhn Price for Best Female Dancer 2012
The Reumert Talent Award 2012
The Queen Ingrid Honorary Grant 2013
The Reumert Prize, Dancer of the Year 2019
In December 2019, she was made by the Queen of Denmark a knight of the Order of the Dannebrog
Premio Positano Léonide Massine 2022
Photo © Natascha Thiara Rydvald
Madoka Sugai
Principal
BORN
12.7.94 in Atsugi City, Kanagawa Prefecture, Japan. Japanese
EDUCATION
Sasaki Mika Ballet Academy (Yamato, Kanagawa Prefecture)
MAIN TEACHERS
Mika Sasaki, Mikio Ikehata
ENGAGEMENTS
National Youth Ballet in 2012
Hamburg Ballet since 2014. Soloist in 2017, Principal since 2019
CREATIONS
A Mystic and A young Woman in "Dona Nobis Pacem"
and solos in
Beethoven Project
Ghost Light
Beethoven Project II
Solo for Two (Konstantin Tselikov)
Little Requiem (Aleix Martínez)
Götterboten (Aljoscha Lenz)
REPERTORY
Peasant Pas de deux in "Giselle"
Cinderella in "A Cinderella Story"
Marguerite Gautier and Prudence Duvernoy in "Lady of the Camellias"
Princess Natalia in "Illusions – like Swan Lake"
Woman III in "Bernstein Dances"
Hermia in "A Midsummer Night's Dream"
Ophelia in "Hamlet 21"
Sylvia in "Sylvia"
Princess Aurora, Princess Florine, Mercury and Aurora, the Dawn in "The Sleeping Beauty" (new version 2021)
Louise and The Beautiful Girl from Granada in "The Nutcracker"
Bronislava Nijinsky in "Nijinsky"
Circe in "Odyssey"
Dolly in "Anna Karenina"
Woman in Apricot in "Dances at a Gathering" (Jerome Robbins)
Kitri/Dulcinea in "Don Quixote" (Rudolf Nurejev after Marius Petipa)
Princess Perdita in "The Winter's Tale" (Christopher Wheeldon)
Jane Eyre in "Jane Eyre" (Cathy Marston)
and solos in
Soldier Songs (Des Knaben Wunderhorn)
The Fifth Symphony of Gustav Mahler
Vaslav
Broadway's Pavlova
Saint Matthew Passion
Third Symphony of Gustav Mahler
Préludes CV
Brahms-Schoenberg Quartet (George Balanchine)
AWARDS
Prix de Lausanne 2012
Dr.-Wilhelm-Oberdörffer-Prize 2018
Find further information about Madoka Sugai here.
Ana Torrequebrada
Soloist
BORN
3.5.2000 in Burgos, Spain. Spanish
EDUCATION
Escuela Profesional de Danza "Ana Laguna"
Ballet School of the Hamburg Ballet
MAIN TEACHERS
Ana González Barca, Juan Carlos Santamaría, Gigi Hyatt, Leslie Hughes, Ann Drower
ENGAGEMENT
Hamburg Ballet since 2019, Soloist since 2023
REPERTORY
Marie, The Beautiful Girl from Granada and The Chinese Bird in "The Nutcracker"
Cupid's Blessing and the Moon in "The Sleeping Beauty" (new version 2021)
Princess Claire in "Illusions – like Swan Lake"
Stella in "A Streetcar Named Desire"
Prudence Duvernoy in "Lady of the Camellias"
Circe in "Odyssey"
A Shepherdess in "The Winter's Tale" (Christopher Wheeldon)
Young Jane Eyre in "Jane Eyre" (Cathy Marston)
solos in
Broadway's Pavlova
Ghost Light
Third Symphony of Gustav Mahler
Préludes CV
Find further information about Ana Torrequebrada here.
Jacopo Bellussi
Principal
BORN
27.3.93 in Genoa. Italian
EDUCATION
Accademia Teatro alla Scala, Milan
The Royal Ballet School, London
MAIN TEACHERS
Gailene Stock, Jay Jolley, Kathryn Wade, Gary Norman, Marialuisa Capiferri, Valentina Massa, Emma Landolina
ENGAGEMENTS
Bayerisches Staatsballett II
Hamburg Ballet since 2012. Soloist in 2017, Principal since 2019
CREATIONS
A figure from the romantic novels Tatiana loves to read in "Tatiana"
The Soldier's Friend (Annunzio Cervi) in "Duse"
A Mystic in "Dona Nobis Pacem"
and solos in
Beethoven Project I
Ghost Light
Beethoven Project II
Peter and Igor
Yes we Could (Konstantin Tselikov)
REPERTORY
Romeo and Paris in "Romeo and Juliet"
Curio in "VIVALDI or What you will"
Cassio in "Othello"
Peasant Pas de deux in "Giselle"
Leonid Massine, Harlequin in ‘Carnaval' and Geist der Rose in 'Le Spectre de la rose' in "Nijinsky"
Armand Duval, Gaston Rieux, Des Grieux and Count N in "Lady of the Camellias"
Semyon Semyonovich Medvedenko in "The Seagull"
her husband in "Christmas Oratorio I-VI"
The Man in the Shadow and Count Alexander in "Illusions - like Swan Lake"
Man II in "Bernstein Dances"
Alexej Wronski in "Anna Karenina"
Lysander in "A Midsummer Night's Dream"
The Unicorn in "The Glass Menagerie"
Aminta and Endymion in "Sylvia"
Frederick the Great in "Death in Venice"
Prince Désiré and a Spanish Prince in "The Sleeping Beauty" (new version 2021)
Allan Gray in "A Streetcar Named Desire"
Mann in Blue and in Purple in "Dances at a Gathering" (Jerome Robbins)
Espada in "Don Quixote" (Rudolf Nurejev after Marius Petipa)
King Polixenes in "The Winter's Tale" (Christopher Wheeldon)
St John Rivers in "Jane Eyre" (Cathy Marston)
and solos in
The Song of the Earth
Saint Matthew Passion
Soldier Songs (Des Knaben Wunderhorn)
The Fifth Symphony of Gustav Mahler
Vaslav
Nocturnes
At Midnight
Third Symphony by Gustav Mahler
Christmas Oratorio I-VI
Préludes CV
Brahms-Schoenberg Quartet (George Balanchine)
Liebeslieder Walzer (George Balanchine)
King Polixenes in "The Winter's Tale" (Christopher Wheeldon)
GUESTING
Munich (Matinee of the Heinz Bosl Foundation, 2019), Roma , Genova-Nervi, Ravenna and Padova (2021), L'Aquila (728° Perdonanza Celestiniana, 2022), Positano (Award Ceremony Gala 2022)
AWARDS
Premio Danza&Danza 2016 – Best Italian Dancer Abroad
Konstanze Vernon Prize 2019
Premio Nazionale Sfera d'Oro per la Danza 2021
Premio Positano Léonide Massine 2022
Jacopo Bellussi has been appointed Artistic Director of the Nervi Festival from the 2025 edition
Find further information about Jacopo Bellussi here.
Christopher Evans
Principal
BORN
2.11.94 in Loveland, CO. American
EDUCATION
BalletMet Dance Academy
Canada's National Ballet School
The School of the Hamburg Ballet
MAIN TEACHERS
Susan Dromisky, Alexander Gorbatsevich, Kevin Haigen
ENGAGEMENT
Hamburg Ballet since 2012, Soloist 2015, Principal since 2018
CREATIONS
Jim O'Connor in "The Glass Menagerie"
A Mystic in "Dona Nobis Pacem"
and solos in
Turangalîla
Beethoven Project I
Ghost Light
Beethoven Project II
Aether (Luca Andrea Tessarini)
Metamorphosis (Marc Jubete)
Beautiful Soul (Marcelino Libao)
REPERTORY
The King, Count Alexander and Quadrille in "Illusions - like Swan Lake"
Benvolio and Antonio in "Romeo and Juliet"
Fabian in "VIVALDI or What you will"
Albrecht in "Giselle"
Günther in "The Nutcracker"
Vladimir Lensky in "Tatjana"
The Prince and A Bird in "A Cinderella Story"
Theseus/Oberon and Lysander in "A Midsummer Night's Dream"
Arlequin in ‘Carnaval' and The Spirit of the rose in 'Le Spectre de la rose' in "Nijinsky"
Konstantin (Kostya) Gavrilovich Triplev in "The Seagull"
Armand Duval and Des Grieux in "Lady of the Camellias"
Man I in "Bernstein Dances"
Gustav von Aeschenbach in "Death in Venice"
Koll/Fortinbras in "Hamlet 21"
Love/Thyrsis/Orion in "Sylvia"
Catalabutte in "The Sleeping Beauty" (Neufassung 2021)
Harold Mitchell (Mitch) in "Endstation Sehnsucht"
Odysseus in *Odyssey"
Alexei Karenin and Levin in "Anna Karenina"
Mann in Green in "Dances at a Gathering" (Jerome Robbins)
Basil in "Don Quixote" (Rudolf Nurejev after Marius Petipa)
Prince Florizel in "The Winter's Tale" (Christopher Wheeldon)
St John Rivers in "Jane Eyre" (Cathy Marston)
and solos in
Préludes CV
Petrushka-Variations
Christmas Oratorio I-VI
The Song of the Earth
Soldier Songs (Des Knaben Wunderhorn)
The Fifth Symphony of Gustav Mahler
Nocturnes
At Midnight
Saint Matthew Passion
Third Symphony of Gustav Mahler
Brahms-Schoenberg Quartet (George Balanchine)
HE CHOREOGRAPHED
"Soul Sketch"
Premiere: Young Choreographers, Hamburg, 2016
"A Cosmic Second"
Premiere: Young Choreographers, Hamburg, 2017
AWARDS
Prix de Lausanne 2010
Dr. Wilhelm Oberdörffer-Prize 2015
Find further information about Christopher Evans here.
Alessandro Frola
Principal
BORN
3.9.2000 in Parma, Italy. Italian
EDUCATION
Profession Dance Parma
Fomento Artístico Cordobés, Córdoba, Veracruz/Mexico
The School of the Hamburg Ballet
MAIN TEACHERS
Lucia Giuffrida, Francesco Frola, Adria Velásquez, Kevin Haigen, Janusz Mazon, Gigi Hyatt
ENGAGEMENT
Hamburg Ballet since 2019, Soloist in 2022, Principal since 2023
CREATIONS
The Shadow in "Dona Nobis Pacem"
and solo in
Peter and Igor
REPERTORY
Lysander in "A Midsummer Night's Dream"
Endymion in "Sylvia"
Prince Désiré, Catalabutte and Cupid's Blessing in "The Sleeping Beauty" (new version 2021)
Wolf Beifeld in "Liliom"
Frederick the Great in "Death in Venice"
Pas de deux in "A Cinderella Story"
The Man in the Shadow, Prince Siegfried and Prince Alexander in "Illusions – like Swan Lake"
Love in "Bernstein Dances"
Mercutio in "Romeo and Juliet"
Allan Gray in "A Streetcar Named Desire"
Arlequin in ‘Carnaval' and The Spirit of the rose in 'Le Spectre de la rose' in "Nijinsky"
Drosselmeier in "The Nutcracker"
Armand in "Lady of the Camellias"
A Suitor / The War in "Odyssey"
Mr Brocklehurst in "Jane Eyre" (Cathy Marston)
and solos in
Saint Matthew Passion
Third Symphony of Gustav Mahler
Préludes CV
AWARD
Dr. Wilhelm Oberdörffer-Prize 2023
Find further information about Alessandro Frola here.
Aleix Martínez
Principal
BORN
17.5.92 in Barcelona. Spanish
EDUCATION
Escuela Ballet David Campos
Studio Ballet Colette Armand, Marseille
The School of the Hamburg Ballet
MAIN TEACHERS
David Campos, Peter Lewton, Patrick Armand, Kevin Haigen
ENGAGEMENT
Hamburg Ballet since 2010. Soloist in 2014, Principal since 2021
CREATIONS
Louis in "Liliom"
Konstantin Dmitrievich Levin in "Anna Karenina"
HE in "Dona Nobis Pacem"
and solos in
Purgatorio
Beethoven Project I
Ghost Light
Beethoven-Projekt II
Vor dem Gestz (Alban Pinet)
3x2 für M&M (Constant Vigier)
Happy Valentine (Orcan Dann)
Aether (Luca Andrea Tessarini)
Soledad en Compañía (Aleix Martínez)
Countdown (Sasha Riva)
REPERTORY
The Hermit in "Parzival – Episodes und Echo »
Vaslav Nijinsky and Stanislav Nijinsky in "Nijinsky"
Vaslav Nijinsky as a student in "Le Pavillon d'Armide"
The Speaker in "Illusions - like Swan Lake"
William in "As You Like It"
A young Aschenbach in "Death in Venice"
A Soldier (Moresca Dance) in "Othello"
Peasant Pas de deux in "Giselle"
Peer's Aspect – Innocence in "Peer Gynt"
A Bird in "A Cinderella Story"
Fritz in "The Nutcracker"
a man in "Christmas Oratorio I-VI"
Man III in "Bernstein Dances"
A Thorn in "The Sleeping Beauty" (new version 2021)
Mann in Brick in "Dances at a Gathering" (Jerome Robbins)
A Gypsy in "Don Quixote" (Rudolf Nurejev after Marius Petipa)
and solos in
Préludes CV
Vaslav
Kinderszenen
Winterreise
Messiah
Saint Matthew Passion
The Song of the Earth
Soldier Songs (Des Knaben Wunderhorn)
The Fifth Symphony of Gustav Mahler
Third Symphony of Gustav Mahler
HE CHOREOGRAPHED
"Ne Nehledej"
Premiere: Young Choreographers, Hamburg, 2011
"Trencadís"
Premiere: Young Choreographers, Hamburg, 2012
"Soledad en Compañía..."
Premiere: Young Choreographers, Hamburg, 2015
"Kleines Requiem"
Premiere: Young Choreographers, Hamburg, 2016
AWARDS
Prix de Lausanne 2008
Premio Positano Léonide Massine 2008
Amigo de Honor 2010, awarded by the Casa de la Danza, Madrid
Promising Young Talent 2012 – "tanz" magazine
Dr. Wilhelm-Oberdörffer-Prize 2013
Find further information about Aleix Martínez here.
Florian Pohl
Soloist
BORN
19.9.89 in Karlsruhe. German
EDUCATION
The School of the Hamburg Ballet
MAIN TEACHER
Kevin Haigen
ENGAGEMENT
Hamburg Ballet since 2009. Soloist since 2019
CREATIONS
A figure from the romantic novels Tatiana loves to read in "Tatiana"
and solos in
Einflüsse (Miljana Vracaric)
Rely on Trust (Florian Pohl)
I Giorni (Florian Pohl)
REPERTORY
The Man in the Shadowand Prince Siegfried in "Illusions - like Swan Lake"
La Fille du Pharaon in "The Nutcracker"
Horvendel in "Hamlet"/"Hamlet 21"
Charles in "As You Like It"
Paris in "Romeo and Juliet"
The three wise men in "Christmas Oratorio I-VI"
Ilya Afanasevich Shamrajev and The Star of the Revue in "The Seagull"
Stiva in "Anna Karenina"
The Wanderer, the Gondolier, a Dance Couple, Dionysos, the Hairdresser, the Guitar Player in "Death in Venice"
King Florestan XXIV and a Russian Prince in "The Sleeping Beauty" (new version 2021)
The Balloon Man in "Liliom"
Monsieur Duval in "Lady of the Camellias"
Allan's Friend in "A Streetcar Named Desire"
He in "Odyssee"
Prince Gremin in "Onegin" (John Cranko)
Antigonus in "The Winter's Tale" (Christopher Wheeldon)
and solos in
Des Knaben Wunderhorn
Third Symphony of Gustav Mahler
Préludes CV
Winterreise
Birthday Dances
Saint Matthew Passion
HE CHOREGRAPHED
"Nobody Sees"
Premiere: Young Choreographers, Hamburg, 2012
"Rely on Trust"
Premiere: Young Choreographers, Hamburg, 2015
"I Giorni"
Premiere: Young Choreographers, Hamburg, 2016
"Embrace"
Premiere: Young Choreographers, Hamburg, 2017
"el la"
Premiere: Young Choreographers, Hamburg, 2018
Find further information about Florian Pohl here.
Conductor
Simon Hewett
Conductor
Simon Hewett is the Principal Conductor of the Stuttgart Opera, and Principal Conductor of the Hamburg Ballet. In addition to his commitments with these two companies, he has performed regularly in recent seasons with Opera Australia in Sydney and Melbourne, the Komische Oper in Berlin, and the Paris Opera Ballet. His performances are frequently praised for their stylistic fluency, emotional intensity and technical precision.
Simon Hewett studied clarinet and conducting at the University of Queensland, graduating with First Class Honours and a University Medal. At 19 he was the youngest ever finalist in the ABC Young Conductor of the Year Award, and conducted the West Australian Symphony Orchestra in a performance of Hindemith's "Symphonische Metamorphosen". In 1998 he was awarded a German Government Scholarship and studied operatic and symphonic conducting for 3 years at the Franz Liszt Hochschule für Musik in Weimar, Germany.
From 2002-03 Simon Hewett was a member of Opera Australia's Young Artists' Programme, and made his debut at the Sydney Opera house in October 2003, conducting Bizet's "Les Pêcheurs du perles". He was immediately reengaged for performances of "Il Barbiere di Siviglia" in 2004. He has since returned regularly to Opera Australia as a guest conductor, for "Tosca" (2005), "Turandot" (2006), and to lead the revival of Harry Kupfer's critically acclaimed production of "Otello" (2008). He returned to Sydney in 2009 for "Aida" and a new production of "Così fan tutte" with director Jim Sharman. In 2011 he conducted "Macbeth" for Opera Australia and "Falstaff" for the West Australian Opera. In 2012 he led critically acclaimed new productions of "Le Nozze di Figaro" and "Salome" for Opera Australia.
In 2005 Simone Young invited Simon Hewett to join the Hamburg State Opera as Resident Conductor and Assistant Music Director. Since his debut with "La Traviata" in 2005, he has conducted over 200 performances in Hamburg of a large repertoire of opera and ballet. In 2008 he debuted at the Komische Oper with "Il Barbiere di Siviglia", returning in 2010 for "Die Entführung aus dem Serail".
Following successful performances of "Der Fliegende Holländer" for the Stuttgart Opera in 2010, Simon Hewett was invited to become Principal Conductor. In 2012/13 he led revivals of "Die Fledermaus" and "Tosca". He has since conducted new productions of "La Bohème" and "Khovanshchina", and a wide range of other repertoire in Stuttgart including "Die Fledermaus", "Nabucco", "Tosca", "Madama Butterfly", "Eugene Onegin" and "Der Freischütz".
As a symphonic conductor Simon Hewett has appeared with the Melbourne Symphony, Sydney Symphony and West Australian Symphony Orchestras. His interest in contemporary music is documented through his long relationship with the Elision Contemporary Music Ensemble, with whom he has performed frequently since 1996, touring with them to Korea in 1997 and Europe in 1998. He has performed with Elision at all of Australia's major festivals, conducting the world premieres of Richard Barrett's "Opening of the Mouth", and Liza Lim's opera "Moon Spirit Feasting". His CD of Richard Barrett's "Opening of the Mouth" with the Elision Ensemble was reviewed by the BBC Music Magazine upon its release as "Pick of the Month".
Since conducting the premiere of John Neumeier's "Parzival" at the Festspielhaus Baden-Baden in 2006, Simon Hewett has enjoyed a close and productive collaboration with the Hamburg Ballet. He has toured with the Hamburg Ballet to the Salzburg Festival, Australia, the United States of America and Japan. His performances of John Neumeier's production of Mahler's 3rd Symphony at the Paris Opera were broadcast in cinemas worldwide and recorded for DVD release. He led the world premiere of John Neumeier's ballet "Tatiana" (2014), also recorded for DVD release, and the premiere of a new ballet based on the life of the celebrated Italian actress Eleonora Duse (2015). In December 2016 he will lead the German Premiere of "The Song of the Earth", a ballet by John Neumeier to music by Gustav Mahler.
Mezzo-soprano
Katja Pieweck
Soprano
Birthplace:
Hannover, Germany
Studies:
Hochschule für Musik und Theater in Hamburg with Prof. Ks. Judith Beckmann
Prizes:
Dr. Wilhelm Oberdörffer Preis of the Körber-Stiftung (2007), Cultural Prize of the Berenberg Bank Hamburg (2000), First Prize of the International Robert Stolz Singing Competition in Hamburg (2000), Masefield Fellowship of the Alfred Toepfer Stiftung
Relation to the Hamburg State Opera:
Ensemble member of the Hamburg State Opera since 1999/2000, member of the International Opera Studio of the Hamburg State Opera (1997/98 to 1998/99)
Important parts:
Adalgisa (Norma), Mercédès (Carmen), Hexe (Königskinder), Smeton (Anna Bolena), Alisa (Lucia di Lammermoor), Marquise de Berkenfield (La fille du régiment), Sélysette (Ariane et Barbe-Bleue), Arsamene (Xerxes), Sancta Susanna (Klementia), Gertrud/Sandmännchen (Hänsel und Gretel), Frau des Dorfrichters (Jenufa), Valencienne (Die lustige Witwe), Witwe Browe (Zar und Zimmermann), Lola (Cavalleria Rusticana), Damigella Pallade (L’Incoronazione di Poppea), Dorabella (Così fan tutte), Marcellina (Le Nozze di Figaro), Erste Dame (Die Zauberflöte), Donna Elvira (Don Giovanni), Schenkwirtin (Boris Godunov), Mutter (Les Contes d’Hoffmann), Mère Marie (Dialogues des Carmélites), Ciesca (Gianni Schicchi), Suzuki (Madama Butterfly), Frugola (Il Tabarro), Goneril (Lear), Berta/Rosina (Il Barbiere di Siviglia), Marchese Melibea (Il Viaggio a Reims), Ariadne (Ariadne), Adelaide (Arabella), Annina (Der Rosenkavalier), Aufseherin/1. Magd (Elektra), Curra/Preziosilla (La Forza del Destino), Annina (La Traviata), Meg Page/Alice Ford (Falstaff), Giovanna/Maddalena (Rigoletto), Fenena (Nabucco), Emilia (Otello), Fricka (Das Rheingold), Siegrune/Sieglinde (Die Walküre), Magdalena (Die Meistersinger von Nürnberg), Brangäne (Tristan und Isolde), Ortrud (Lohengrin), Adriano (Rienzi), Eglantine (Euryanthe), Ericlea (Il Ritorno d’Ulisse in Patria), Larina (Eugen Onegin), et al.
Stages:
Hamburgische Staatsoper, Semperoper, Staatsoper Unter den Linden, Staatstheater Mainz, Bayerische Staatsoper, Oper Leipzig, Internationale Herrenchiemsee Festspiele, Staatsoper Hannover, et al.
Zusammenarbeit mit Regisseuren:
Peter Konwitschny, Karoline Gruber, Claus Guth, Willy Decker, Achim Freyer, Roger Vontobel, Stefan Herheim, Michael Thalheimer, et al.
Zusammenarbeit mit Dirigenten:
Simone Young, Sir Simon Rattle, Peter Schneider, Ingo Metzmacher, Gerd Albrecht, Sebastian Weigle, Rolf Beck, Krzysztof Penderecki, et al.
photo: Ida Aldrian
Choir
Chor der Hamburgischen Staatsoper
The chorus members appear on stage at the Hamburg State Opera in a different role almost every night. From one day to the next, they might be sailors, pilgrims or conspirators, then courtiers, hunters, the deranged or the imprisoned. In the role of crusaders in I Lombardi alla prima Crociata they travel to Jerusalem, other nights they are invited to Madama Butterfly's marriage or acclaim Prince Igor. The ladies and gentlemen of the opera chorus demonstrate their artistic prowess, their flexibility, and their love of the stage in every performance.
With a membership around 70, the chorus of the Hamburg State Opera has been one of the world’s best opera choruses for many years. The varied repertoire – almost always in the original language – is multifaceted and includes baroque operas and dramatic operas, major works by Verdi and Wagner as well as contemporary pieces. At the start of the 2013/14 season, Eberhard Friedrich took over the post of Chorus Master.
photo: Niklas Marc Heinecke
Children's Choir
Hamburger Knabenchor
Choir
For more than fifty years, boys have discovered their love of music at Hamburg's Boys Choir. They grow up and mature with masterworks from music history that are simply part of their everyday lives, and they take many unique experiences and skills into their adult lives.
Established in 1960 as the Boys Choir of Northern Germany Radio, currently about one hundred boys and young men aged from 5 to 25 sing in Hamburg's Boys Choir. At various choral levels, they are comprehensively prepared for the choir’s demanding repertoire and active concert schedule.
The choir’s repertoire comprises both an extensive range of a capella works as well as large oratorios. Bach’s passions and Christmas Oratorio are performed annually. Other works of their core repertoire include Haydn's Creation (performed in 2019 in Tokyo), Mozart's "Mass in C-minor" and "Requiem", Schubert's Mass in E flat-major, Mendelsohns' "Elias" and "Paulus", Faure's "Requiem", Britten's "War Requiem", as well Bernstein's "Chichester Psalms" and "Mass".
The choir can be regularly heard performing motets in the services of Hamburg’s main protestant Church St. Nikolai, with which it is associated. These numerous performances ensure a regular fine-tuning of the choir, something that also characterizes boarding school choirs. The Hamburg Boys Choir is a regular guest of professional ensembles as well as concert halls and opera houses. Soloists from the choir have taken on the parts of the three boys in Mozart's "Magic Flute" at opera houses from Kiel and Lübeck to Lisbon. In October 2021, they sang Alban Berg's "Wozzeck" at Elbphilharmonie, conducted by Zubin Metha. The choir sang in 2022, for example with Kent Nagano and Thomas Hengelbrock.
Concert tours both in Germany and abroad are also part of the Hamburg Boys Choir's established traditions. The choir has toured in Asia several times, as well as in Argentina and several European countries. In 2022, the Choir performed in São Paulo and Vienna.
LUIZ DE GODOY
Artistic Director
Luiz de Godoy discovered his love of music at the age of five. He completed his training in piano solo, choral and orchestral conducting over several stages in Brazil, the USA, France, Germany and Austria. In 2019, he received the appreciation award from his Viennese alma mater, the University of Music and Performing Arts Vienna. He has also worked as a choral conductor for renowned ensembles such as the Vienna Singakademie and the Chorakademie of the Vienna State Opera and has worked with many greats such as Gustavo Dudamel, Valery Gergiev, Ton Koopman, Sir Simon Rattle, Franz Welser-Möst and Simone Young, as well as the Berlin and Vienna Philharmonic Orchestras, among others. He made his debut as an orchestral conductor in Brazil in 2015 and subsequently conducted in several countries in Europe, Asia and South America, including the ORF Vienna Radio Symphony Orchestra and the Hamburg Philharmonic State Orchestra in productions of the Hamburg State Opera.
In 2016, Luiz de Godoy was appointed Kapellmeister of the Vienna Boys' Choir, with whom he toured over 20 countries. At the same time, he was awarded the Erwin Ortner Prize for the Promotion of Choral Music. The Hamburg State Opera brought him to the Hanseatic city for the 2019/20 season and entrusted him with the direction of its children's and youth choir. Since January 2021, Luiz de Godoy has also been the artistic director of the Hamburg Boys' Choir.
Find further information about Hamburger Knabenchor here.
photo: Marcelo Hernandez
Orchestra
Philharmonisches Staatsorchester Hamburg
Orchestra
The Philharmonic State Orchestra is Hamburg’s largest and oldest orchestra, looking back on many years of musical history. When the “Philharmonic Orchestra” and the “Orchestra of the Hamburg Municipal Theatre” merged in 1934, two tradition-steeped orchestras combined. Philharmonic concerts have been performed in Hamburg since 1828, artists such as Clara Schumann, Franz Liszt and Johannes Brahms being regular guests of the Philharmonic Society. The history of the opera company goes back even further: Hamburg has been home to musical theatre since 1678, even if a regular opera or theatre orchestra was only formed later. To this day, the Philharmonic State Orchestra has embodied the sound of the Hansa City, a concert and opera orchestra in one.
During its long history, the orchestra encountered great artist personalities. Apart from composers of the 18th, 19th and 20th centuries, such as Telemann, Tchaikovsky, Strauss, Mahler, Prokofiev and Stravinsky, since the 20th century chief conductors such as Karl Muck, Joseph Keilberth, Eugen Jochum, Wolfgang Sawallisch, Horst Stein, Aldo Ceccato, Christoph von Dohnányi, Gerd Albrecht, Ingo Metzmacher and Simone Young have shaped the orchestra’s sound. Renowned conductors of the pre-war era such as Otto Klemperer, Wilhelm Furtwängler, Bruno Walter, Karl Böhm and Hans Schmidt-Isserstedt gave brilliant performances, as did outstanding conductors of our times: suffice it to mention Christian Thielemann, Semyon Bychkov, Kirill Petrenko, Adam Fischer and Sir Roger Norrington.
Starting with the 2015/2016 season, Kent Nagano has taken on the position of Hamburg’s General Music Director and Chief Conductor of the Philharmonic State Orchestra and the Hamburg State Opera and since June 2023 also its honorary conductor. In his first season Kent Nagano initiated a new project, the Philharmonic Academy, focusing on experimentation and chamber music. In 2016, Nagano and the Philharmonic toured South America, followed by concert tours to Spain and Japan in 2019, and in the spring of 2023, the Philharmonic State Orchestra made its debut at New York's Carnegie Hall under his direction, which was acclaimed by audiences and the press. Since 2017 Kent Nagano and the Philharmonic State Orchestra have continued the traditional Philharmonic Concerts at the new Elbphilharmonie, for which they commissioned Jörg Widmann to compose the oratorio ARCHE, which was given its world premiere during the hall’s opening festivities. The concert recording has been released by ECM, for which Widmann received the OPUS KLASSIK as Composer of the Year 2019, and ARCHE was performed again in 2023 to great acclaim.
The Philharmonic State Orchestra offers approximately 35 concerts per season and performs more than 240 performances per year at the Hamburg State Opera and the Hamburg Ballet John Neumeier, making it Hamburg’s busiest orchestra. The stylistic bandwidth covered by the 140 musicians, ranging from historically informed performance practice to contemporary works and including concert, opera and ballet repertoire, is unique throughout Germany. Chamber Music has a long tradition at the Philharmonic State Orchestra: what began in 1929 with a concert series for chamber orchestra has been continued since 1968 by a series of chamber music only.
In 2008 Simone Young and the Philharmonic State Orchestra won the Brahms Award of the Schleswig-Holstein Brahms Society. The orchestra has recorded the complete Ring by Wagner as well as the complete symphonies of Johannes Brahms and Anton Bruckner – the latter in the rarely-performed original versions – as well as works by Mahler, Hindemith and Berg, and has released DVDs of opera and ballet productions by Hosokawa, Offenbach, Reimann, Auerbach, J.S. Bach, Puccini, Poulenc and Weber.
The members of the Philharmonic State Orchestra feel equally beholden to Hamburg’s musical tradition and responsible for the city’s artistic future. Since 1978 the musicians have been participating in education programmes in Hamburg’s schools. Today, the orchestra maintains a broad education programme, including school and kindergarten visits, patronage for music projects, introductory events for children and family concerts. The orchestra’s own academy prepares young musicians for their professional careers. The Philharmonic’s musicians thereby make an equally enjoyable and valuable contribution to tomorrow’s music education in the music metropolis of Hamburg.
photo: Foto: Felix Broede