Giacomo Puccini | Madama Butterfly
Thu, Apr. 16, 2026, 7.30 pm - 10.15 pm
Cast

Musikalische Leitung
Alexander Joel

Conductor
Alexander Joel
Birthplace:
London, United Kingdom
Studies:
Piano studies at the Academy of Music, conducting studies at the Vienna Conservatory of Music
Prizes:
European Conducting Competition in Spoleto (1996)
Repertoire:
Il Trovatore, Il Trittico, Tosca, Rigoletto, Il barbiere di Siviglia, Carmen, Luisa Miller, La bohème, La Traviata, Manon Lescaut, Madama Butterfly, Macbeth, Faust, Salome, Lohengrin, Rosenkavalier, Tristan und Isolde, Parsifal, et al.
Career stages:
First Kapellmeister at the Deutsche Oper am Rhein (2001 to 2007)
Generalmusikdirektor of the Staatstheater and Staatsorchester Braunschweig (2007 to 2014)
Stages:
Royal Opera House Covent Garden, Volksoper Wien, Hessian State Theatre Wiesbaden, Les Théâtres de la Ville de Luxembourg, Malmö Opera, Deutsche Oper am Rhein, Opéra National de Lyon, Opéra national de Lorraine, Welsh National Opera, English National Opera, Staatsoper Hamburg, Dutch National Opera, Royal Danish Opera, Grand Théâtre de Genève, Sächsische Staatsoper Dresden, Bayerische Staatsoper, Deutsche Oper Berlin, Semper Oper Dresden, Finnish national Opera, New National Theatre in Toyko, Staatstheater and Staatsorchester Braunschweig, et al.
Cooperation with orchestras:
WDR Rundfunkorchester, Duisburger Philharmoniker, Düsseldorfer Symphoniker, Danish National Symphony Orchestra, Orchestre National de Montpellier, Haydn Orchestra of Bolzano, BBC Philharmonic, RSO Wien, ORF Vienna Radio Symphony Orchestra, Orchestra of the Opera Ballet Vlaanderen, Orchestre de la Suisse Romande, et al.
Find further information about Alexander Joel here.
Performances
photo: Julia Wesley

Chor
Alice Meregaglia

Alice Meregaglia
Biography will be published shortly.
Performances

Cio-Cio San
Barno Ismatullaeva

Soprano
Barno Ismatullaeva
Birthplace:
Andijan, Uzbekistan
Studies:
State Conservatory of Uzbekistan, Tashkent
Prizes:
1st prize "Competizione dell'Opera", Tashkent 2014
Important parts:
Cio-Cio-San (Madama Butterfly), Suor Angelica, Mimì (La bohème), Desdemona (Otello), Amelia (Simon Boccanegra), Tatiana (Evgeni Onegin), Micaëla (Carmen), et al.
Stages:
Bregenz Festival, Hanover State Opera, Musikverein Graz, Bucharest State Opera, Tashkent State Opera, Nuremberg State Theater, Düsseldorf Opera, Essen Aalto Theater, Innsbruck Tyrolean State Theater, Stanislavsky and Nemirovich-Danchenko Moscow Music Theaters, Mariinsky Teatre Primorsky Vladivostok
Cooperations with directors:
Andreas Homoki, Barbora Horáková, Lydia Steier, Immo Karaman, Elisabeth Stöppler, Eva-Maria Höckmayr, Carlos Wagner
Cooperations with conductors:
Enrique Mazzola, Axel Kober, Constantin Trinks, Cristian Macelaru, Matteo Beltrami, Roberto Rizzi Brignoli, Michele Spotti, Jordan de Souza, Stephan Zilias, James Hendry
Performances
photo: Sandra Then

Suzuki
Ida Aldrian

mezzo-soprano
Ida Aldrian
Birthplace:
Bruck an der Mur, Austria
Studies:
University of Music and Performing Arts Vienna with Leopold Spitzer and Karlheinz Hanser; studies for Stage Performance (Opera and Musical Drama), Art Song and Oratorio with KS Marjana Lipovšek with honors; member of International Opera Studio of the Hamburg State Opera (2012/13–2013/14)
Master class:
With Ann Murray, Bernarda Fink, Reri Grist, Peter Kooij, Andrew Watts, Thomas Hampson, Wicus Slabbert, Alan Titus, Brigitte Fassbaender, et al.
Prizes:
Dr.-Wilhelm-Oberdörffer-Preis of Stiftung zur Förderung der Hamburgischen Staatsoper (2014), prize winner of the jury ranking at international singing competition „Stella Maris“ (2014)
Relation to the State Opera:
Ensemble member of the Hamburg State Opera since the season 2019/20
Important parts:
Wellgunde (Das Rheingold and Götterdämmerung), Siegrune and Rossweiße (Die Walküre), Blumenmädchen and Stimme aus der Höhe (Parsifal ), 2. Maid (Daphne), Feodor (Boris Godunov), Maddalena (Rigoletto), Hansel (Hansel and Gretel), Isabella (L'Italiana in Algeri), Adalgisa (Norma), Idamante (Idomeneo), Third Lady (The Magic Flute), Rosina (Il Barbiere di Siviglia), Penelope (Il Ritorno d'Ulisse in Patria), Mercedes (Carmen), Tisbe (La Cenerentola), Laura (Luisa Miller), Flora and Annina (La Traviata), Cherubino (Le Nozze di Figaro), Dorabella (Così fan tutte), Meg Page (Falstaff), Dryade (Ariadne auf Naxos), Orlofski (Die Fledermaus), et al.
Stages:
Elbphilharmonie, Concertgebouw Amsterdam, Kölner Philharmonie, Wiener Konzerthaus, Musikverein Wien, Staatstheater Nürnberg, Grafenegg Festival, Laeiszhalle Hamburg, Barocktage Melk, Styriarte, International Brucknerfest Linz, Staatsoper Unter den Linden, et al.
Cooperation with directors:
Andreas Homoki, Georg Schmiedleitner, Laura Scozzi, Mariame Clément, Verena Stoiber, Peter Konwitschny, Stéphane Braunschweig, David Bösch, et al.
Cooperation with conductors:
Simone Young, Kent Nagano, Martin Haselböck, Marcus Bosch, Yutaka Sado, Pablo Heras-Casado, Christopher Moulds, Cornelius Meister, Fabio Luisi, Andrés Orozco-Estrada, Simon Gaudenz, et al.
Find further information about Ida Aldrian here.
Performances
- Schwuppdiwupp - getürmt und umgestupst
- Boris Godunov
- Elektra
- Die Zauberflöte (The Magic Flute)
- Hänsel und Gretel (Hansel and Gretel)
- Manon
- 6th Philharmonic Concert
- La Traviata
- Parsifal
- 6th chamber concert
- Tonangeber
- Die Gänsemagd
- Madama Butterfly
photo: Christoph Ziegler

Kate Pinkerton
Aebh Kelly

Mezzo-Soprano
Aebh Kelly
Birthplace:
Dublin, Ireland
Studies:
Mascarade Emerging Artists, Florence
Georg Solti Accademia
Irish National Opera Studio
Royal Irish Academy of Music (BMus)
Master class:
Richard Bonynge, Aigul Akhmetshina, Freddie De Tommaso (Georg Solti Accademia), Vivica Genaux (Mascarade Emerging Artists), Tara Erraught, Paula Murrihy (Irish National Opera), Bernarda Fink (Neue Stimmen Masterclass), Ann Murray (Royal Irish Academy of Music)
Prizes:
2nd Prize & Dermot Troy Prize (Veronica Dunne International Singing Competition)
Final Round (Neue Stimmen)
1st Prize (Maura Dowdall Concerto Competition)
Relation to the Hamburg State Opera:
Member of the International Opera Studio of the Hamburg State Opera since the 2024/2025 season.
Important parts:
Dido (Dido & Aeneas), Flora (La Traviata), Olga (Eugene Onegin), Popova (The Bear), Endimione (La Calisto), Catherine (A Thing I Cannot Name), Melissa (La liberazione di Ruggiero dall’isola d’Alcina)
Stages:
Teatro La Fenice, Theater und Orchester Heidelberg, Teatr Wielki Opera, National Opera House Wexford, Cork Opera House, National Concert Hall Dublin
Cooperation with directors:
Marie Lambert-Le Bihan, Noa Naamat, Jean-Romain Vesperini, Pedro Ribiero, Federico Grazzini, Olivia Fuchs, Sonja Trebes
Cooperation with conductors:
Laurent Wagner, Roland Kluttig, Jonathan Santagada, Jonathan Bloxham, Wyn Davies, Christian Curnyn, Fergus Sheil, Killian Farrel, David Brophy, Jonathan Cole-Swinard
Find further information about Aebh Kelly here.
Performances
- Boris Godunov
- Jubiläumsgala: 30 Jahre Internationales Opernstudio
- Dollhouse
- Hänsel und Gretel (Hansel and Gretel)
- Ariadne auf Naxos
- Ariadne auf Naxos (concerted)
- Maria Stuarda
- La Fanciulla del West (The Girl of the West)
- Parsifal
- Konzert des Internationalen Opernstudios
- Die Gänsemagd
- Salome
- La Traviata
- Madama Butterfly
photo: Jörn Kipping

Pinkerton
Atalla Ayan

Tenor
Atalla Ayan
Brazilian tenor Atalla Ayan has quickly established himself as one of the most sought after tenors of his generation. In July of 2011, Ayan made a surprise debut with the Metropolitan Opera, singing five arias in the company’s opening Summer Concert in Central Park on less than 24 hours notice. Allan Kozinn of the New York Times said of his Met debut, "He is a find; he has a warm, rounded tone with a quality that calls to mind the young Placido Domingo.” Ayan has been equally well received at major houses throughout the world, including the Royal Opera House – Covent Garden, Teatro alla Scala in Milan, Grand Théâtre de Genève and Deutsche Oper Berlin. In the current season 2016/17, he will sing Alfredo in “La Traviata” and Christian in “Cyrano de Bergerac” at the Metropolitan Opera, Alfredo at Covent Garden and the Glyndebourne Festival, Nemorino in “L’elisir d’Amore” at the Bavarian State Opera, the title role in “Faust”, Lenski in “Eugene Onegin” and Ismaele in “Nabucco” at Staatstheater Stuttgart, and Rodolfo in “La Boheme” at Oper Köln.
In the 2015/16 season, Ayan sang Nemorino for his debut at the Teatro alla Scala, Rodolfo at the Deutsche Oper Berlin, Hungarian State Opera, Staatstheater Stuttgart and Royal Swedish Opera, Alfredo at the Norwegian National Opera, Il Duca in “Rigoletto” at Staatstheater Stuttgart, Edgardo in “Lucia di Lammermoor” at Oper Köln, and Ein Sänger in “Der Rosenkavalier” at the Royal Swedish Opera. His engagements from the 2014/15 season included Alfredo at Staatstheater Stuttgart and Festspielhaus Baden-Baden, Ruggero in “La Rondine” at Deutsche Oper Berlin, Il Duca and Ismaele at Staatstheater Stuttgart, and Rodolfo at Staatstheater Stuttgart, Semperoper Dresden, and for his debut at the Dutch National Opera. A member of the Stuttgart Opera ensemble since the spring of 2012, Ayan performed as Rodolfo in the new production of “La Boheme”, Alfredo, Don Ottavio in “Don Giovanni”, Ismaele, and Fenton in “Falstaff” during the 2013/14 season. In the same season, Ayan returned to Covent Garden as Don Ottavio and made his debut at the Teatro Petruzzelli in Bari as Alfredo. He also performed as Ein Sänger at Semperoper Dresden and as Rodolfo at the Theatro Municipal de Sao Paulo. In June of 2014, Ayan made his debut at Oper Köln as Nemorino. He also partnered with Angela Gheorghiu in concerts in Prague, Hamburg and Versailles.
In 2013, Ayan made his debut at the Royal Opera House – Covent Garden as Ruggero. Engagements from the 2012/13 season also included his first Alfredo in “La Traviata”, conducted by Fabio Luisi, for his debut at Teatro Carlo Felice in Genova. Ayan also appeared at Staatstheater Stuttgart as Alfred in “Die Fledermaus”, Tamino in “Die Zauberflöte” and Ismaele. In September of 2011, Ayan made his debut with the Glyndebourne Touring Opera as Rodolfo in David McVicar's production of “La Boheme”. Other engagements from the 2011/12 season included Alfred and Don Ottavio at Staatstheater Stuttgart and Ein Sänger at the Grand Théâtre de Geneve. Ayan’s appearances in the 2010/11 season included the role of Romeo in “Romeo et Juliette” at the Theatro Municipal in Sao Paulo opposite Sumi Jo, as well as a duo concert with soprano Nino Machaidze marking the re-opening of the Theatro Municipal in Rio. He also joined Ms. Machaidze that season for a gala concert in Prague and appeared in the Georgian soprano’s first recording for SONY, accompanying her in a scene from “La Sonnambula”. Ayan also appeared as Rinuccio in “Gianni Schicchi” at the Teatro Giuseppe Verdi in Trieste and Gastone in “La Traviata” at the Metropolitan Opera, and he held a duo concert with soprano Nathalie Manfrino in Dublin.
Born in Belem in the north of Brazil, Ayan developed his love for singing by listening to recordings of Luciano Pavarotti. As a teenager, he was accepted into the Carlos Gomes Conservatory in his native Belem. He sang his first major role at age 21, appearing as Rinuccio at the Theatro da Paz in Belem. He made his European debut one year later, appearing as Rodolfo in Graham Vick's production of “La Boheme”. It was that same year that he joined the Scuola della Opera Italiana in Bologna, where he remained for one season. During his year in Bologna, Ayan appeared at the Teatro Comunale as Ruggero in performances of “La Rondine” conducted by José Cura. In the 2009/10 season, he became a member of the Metropolitan Opera's Lindemann Young Artists Development program.
Performances
photo: Masataka Suemitsu

Sharpless
Kartal Karagedik

Baritone
Kartal Karagedik
Birthplace:
Izmir, Turkey
Studies:
Singing in Izmir at the University of Istanbul, among others with Alper Kazancioglu and Prof. Güzin Gürel
Master classes:
With Giorgio Zancanaro, Paolo Ballarin, Barbara Frittoli, Luciana Serra and Alfonso Antoniozzi.
Prizes:
First Prize at the Debut Competition (2012), Third Prize and Critics' Award at the Ottavio Ziino Concorso Lirico Internazionale in Rome (2011), Second Prize at the Leyla Gencer Competition in Istanbul (2010), Second Prize at the Beniamino Gigli Competition in Rome (2009), "Best Male Singer" at the International Duchi d'Acquaviva Competition in Atri (2008), "Special Mention Prize" at the International Opera Competition in Como (2008), third prize at the Ferruccio Tagliavini Competition in Graz (2007), first prize at the Güzin Gürel Foundation Lieder Competition in Istanbul (2007)
Relation to the Hamburg State Opera:
Ensemble member of the Hamburg State Opera since 2015/16
Important parts:
Renato (Un ballo in maschera), Rodrigo (Don Carlo), Germont (La Traviata), Simon Boccanegra (Simon Boccanegra), Onegin (Eugeny Onegin), Lescaut (Manon Lescaut), Marcello (La Bohème), Sharpless (Madama butterfly), Sonora (La Fanciulla del West), (Enrico (Lucia di Lammermoor), Duca D'alba (Duca D'alba), Belcore (L'Elisir d'Amore), Riccardo (I Puritani), Il Conte d'Almaviva (Le Nozze di Figaro), Guglielmo (Così fan tutte), Don Giovanni (Don Giovanni), Carlo Gérard (Andrea Chénier), Mischonnet (Adriana Lecouvreur), Dandini (La Cenerentola), Poeta ( Il Turco in Italia), Chorébe (Les Troyens), Escamillo (Carmen), Valentin (Faust), Ford (Falstaff), Malatesta (Don Pasquale), et al.
Stages:
Hamburg State Opera, Opera Vlaanderen, Theater St. Gallen, Savonlinna Opera Festival, Elbphilharmonie Hamburg, Puccini Festival at Torre del Lago, Teatro Comunale di Bologna, Komische Oper Berlin, Theater Magdeburg, Theater Erfurt, Oper Leipzig, Staatstheater Braunschweig, Izmir State Opera, et al.
Cooperation with directors:
Georges Delnon, Stefan Herheim, Kirsten Harms, Herbert Fritsch, Michael Thalheimer, Guy Montavon, Carlos Wagner, Stefano Poda, Robert Carsen, et al.
Cooperation with conductors:
Kent Nagano, Stefano Ranzani, Ottavio Dantone, Eliahu Inbal, Roberto Rizzi-Brignoli, Christoph Prick, Valerio Galli, Andriy Yurkevych, Yves Abel, John Storgårds, Anthony Bramal, Ulf Schirmer, Manlio Benzi, Joana Mallwitz, Peter Feranec, Modesta Pitrenas, Francesco Ivan Ciampa, et al.
Performances
- Hänsel und Gretel (Hansel and Gretel)
- Don Pasquale
- Le Nozze di Figaro
- Meet the Artists
- La Traviata
- Pique Dame
- Madama Butterfly
photo: Kartal Karagedik

Goro
Daniel Kluge

Tenor
Daniel Kluge
Birthplace:
Buenos Aires, Argentina
Studies:
Hochschule für Musik Karlsruhe with Klaus Dieter Kern
Master classes:
with Roman Trekel, Julia Varady and Dietrich Fischer-Dieskau as well as master classes for „Liedgesang“ with Markus Hadulla, Mitsuko Shirai and Hartmut Höll
Relation to the Hamburg State Opera:
Ensemble member of the Hamburg State Opera since the 2019/20 season
Important parts:
Normanno (Lucia di Lammermoor), Abdallo (Nabucco), Remendado (Carmen), Flavio (Norma), Knappe und 1. Gralsritter (Parsifal), Kilian (Freischütz), Dr. Blind (Die Fledermaus), Spoletta (Tosca), Schreiber (Chowanschtschina), Jacquino (Fidelio), Ein Soldat (Reigen), Chick (Der Schaum der Tage), Borsa (Rigoletto), Knusperhexe (Hänsel und Gretel), Orpheus (Orpheus in der Unterwelt), Pedrillo (Die Entführung aus dem Serail), Truffaldino (Die Liebe zu drei Orangen), Balakin (Charodeyka), Max (Der Freischütz), Tanzmeister (Ariadne auf Naxos), Steuermann (Der fliegende Holländer), Vierter Jude (Salome), et al.
Stages:
Staatsoper Stuttgart, Staatsoper Wien, Volksoper Wien, Stadttheater Bern, Aalto-Theater Essen, Grand Théâtre de Genève, Nationaltheater Mannheim, Opéra National de Lyon, et al.
Cooperation with directors:
Jossi Wieler, Sergio Morabito, Kirill Serebrennikov, Nicola Hümpel , Tobias Hoheisel, Imogen Kogge, Armin Petras, Demis Volpi, Axel Ranisch, et al.
Cooperation with conductors:
Sylvain Cambreling, Georg Fritzsch, Roland Kluttig, Giacomo Sagripanti, Johannes Witt, Hans Christoph Bünger, Kirill Karabits, Willem Wentzel, Alejo Pérez, Christopher Schmitz, et al.
Performances
- Der fliegende Holländer
- Ariadne auf Naxos
- Ariadne auf Naxos (concerted)
- Falstaff
- Salome
- Die Zauberflöte (The Magic Flute)
- La Traviata
- Madama Butterfly
- Tristan und Isolde (Tristan and Isolde)
photo: Martina Cyman

Il Principe Yamadori
William Desbiens

Baritone
William Desbiens
Birthplace:
Québec City, Canada
Studies:
Bachelor in voice. Mannes School of Music in New York, Mascarade Emerging artist program
Prizes:
Finals at the Paris opera competition at the Palais Garnier
Relation to the Hamburg State Opera:
Member of the International Opera Studio of the Hamburg State Opera from the season 2024/25
Important parts:
Figaro (Il barbiere di Siviglia), Schaunard (La Boheme), Conte almaviva (Le nozze di Figaro), Dandini (La cenerentola)
Stages:
Opéra de Québec, Teatro la fenice, Theater und Orchester Heidelberg, Landestheater Linz, Palais Garnier
Cooperation with directors:
Robert Lepage, Fabricio Melano, Damon Nestor Ploumis, Marie Lambert-Le Bihan, Jean-Romain Vesperini, Guillermo
Cooperation with conductors:
Wyn Davis, Jonathan Santagada, Elias Grandy, Kens Lui, Claudio Novati, Thomas Rösner, Jorge Parodi
Find further information about William Desbiens here.
Performances
- Jubiläumsgala: 30 Jahre Internationales Opernstudio
- Elektra
- Der Freischütz
- Bühne frei!
- Les Contes d'Hoffmann
- Eugene Onegin
- Eugen Onegin (concerted)
- Rigoletto
- La Fanciulla del West (The Girl of the West)
- La Traviata
- Tristan und Isolde (Tristan and Isolde)
- Die dunkle Seite des Mondes
- Konzert des Internationalen Opernstudios
- Salome
- Tosca
- Ariadne auf Naxos
- Madama Butterfly
- Il Barbiere di Siviglia
photo: Jörn Kipping

Lo zio Bonzo
Tigran Martirossian

Bass
Tigran Martirossian
Birthplace:
Yerevan, Armenia
Studies:
Musical studies at the Gnessin State Academy of Music with Prof. Artur Eizen and Prof. Pavel Lisitsian
Prizes:
Prize winner of nine international singing competitions, inter alia, second prize in the “Neue Stimmen” Competition in Gütersloh (1997), second prize in the 2nd International Singing Competition in Shizuoka (2000), first prize in the Ondina Otta Competition in Marburg (1999)
Relation to the Hamburg State Opera:
Ensemble member of the Hamburg State Opera since 2005/06
Important parts:
Ramfis (Aida), König René (Jolanthe), Salieri (Mozart und Salieri), Fiesco (Simon Boccanegra), Dulcamara (L’Elisir d’Amore), Figaro (Le Nozze di Figaro), Sulpice (La Fille du Régiment), Colline (La Bohème), Basilio (Il Barbiere di Siviglia), Selim (Il Turco in Italia), Banco (Macbeth), Pagano (I Lombardi alla prima Crociata), Daland (Der fliegende Holländer), Dossifei (Chowanschtschina), Fasolt (Das Rheingold), Rodolfo (La Sonnambula), Raimondo (Lucia di Lammermoor) Don Magnifico (La Cenerentola), Philippe II (Don Carlos), Méphistophélès (Faust), Fürst Galizky (Fürst Igor), Ein Eremit (Der Freischütz), Doktor (Wozzeck), Oroveso (Norma) , Pimen (Boris Godunov), et al.
Stages:
Novaya Opera Theatre of Moscow, Bolshoi Theatre, Metropolitan Opera, Teatro alla Scala, Opéra National de Paris, Teatro Real in Madrid, Bayerische Staatsoper, Wiener Staatsoper, Maggio Musicale Fiorentino, Salzburg Festival, Theater an der Wien, Bregenz Festival, Staatsoper Unter den Linden Berlin, Royal Opera House Covent Garden, Opéra Bastille, St. Galler Festspiele, et al.
Cooperation with directors:
Achim Freyer, Yona Kim, Jochen Biganzoli, David Alden, Andreas Homoki, Vincent Boussard, Stefan Herheim, Florentine Klepper, Francesca Zambella, et al.
Cooperation with conductors:
Sir Colin Davis, Zubin Mehta, James Levine, Mstislav Rostropovich, Carlo Rizzi, Simone Young, Plácido Domingo, Kent Nagano, Sylvain Cambreling, Valery Gergiev, Michel Plasson, Jukka-Pekka Saraste, Michael Tilson-Thomas, Daniel Oren, Mark Wigglesworth, Philippe Jordan, Daniele Callegari, Riccardo Frizza, et al.
Find further information about Tigran Martirossian here.
Performances

Orchester
Philharmonisches Staatsorchester Hamburg

Orchestra
Philharmonisches Staatsorchester Hamburg
The Philharmonic State Orchestra is Hamburg’s largest and oldest orchestra, looking back on many years of musical history. When the “Philharmonic Orchestra” and the “Orchestra of the Hamburg Municipal Theatre” merged in 1934, two tradition-steeped orchestras combined. Philharmonic concerts have been performed in Hamburg since 1828, artists such as Clara Schumann, Franz Liszt and Johannes Brahms being regular guests of the Philharmonic Society. The history of the opera company goes back even further: Hamburg has been home to musical theatre since 1678, even if a regular opera or theatre orchestra was only formed later. To this day, the Philharmonic State Orchestra has embodied the sound of the Hansa City, a concert and opera orchestra in one.
During its long history, the orchestra encountered great artist personalities. Apart from composers of the 18th, 19th and 20th centuries, such as Telemann, Tchaikovsky, Strauss, Mahler, Prokofiev and Stravinsky, since the 20th century chief conductors such as Karl Muck, Joseph Keilberth, Eugen Jochum, Wolfgang Sawallisch, Horst Stein, Aldo Ceccato, Christoph von Dohnányi, Gerd Albrecht, Ingo Metzmacher and Simone Young have shaped the orchestra’s sound. Renowned conductors of the pre-war era such as Otto Klemperer, Wilhelm Furtwängler, Bruno Walter, Karl Böhm and Hans Schmidt-Isserstedt gave brilliant performances, as did outstanding conductors of our times: suffice it to mention Christian Thielemann, Semyon Bychkov, Kirill Petrenko, Adam Fischer and Sir Roger Norrington.
Starting with the 2015/2016 season, Kent Nagano has taken on the position of Hamburg’s General Music Director and Chief Conductor of the Philharmonic State Orchestra and the Hamburg State Opera and since June 2023 also its honorary conductor. In his first season Kent Nagano initiated a new project, the Philharmonic Academy, focusing on experimentation and chamber music. In 2016, Nagano and the Philharmonic toured South America, followed by concert tours to Spain and Japan in 2019, and in the spring of 2023, the Philharmonic State Orchestra made its debut at New York's Carnegie Hall under his direction, which was acclaimed by audiences and the press. Since 2017 Kent Nagano and the Philharmonic State Orchestra have continued the traditional Philharmonic Concerts at the new Elbphilharmonie, for which they commissioned Jörg Widmann to compose the oratorio ARCHE, which was given its world premiere during the hall’s opening festivities. The concert recording has been released by ECM, for which Widmann received the OPUS KLASSIK as Composer of the Year 2019, and ARCHE was performed again in 2023 to great acclaim.
The Philharmonic State Orchestra offers approximately 35 concerts per season and performs more than 240 performances per year at the Hamburg State Opera and the Hamburg Ballet John Neumeier, making it Hamburg’s busiest orchestra. The stylistic bandwidth covered by the 140 musicians, ranging from historically informed performance practice to contemporary works and including concert, opera and ballet repertoire, is unique throughout Germany. Chamber Music has a long tradition at the Philharmonic State Orchestra: what began in 1929 with a concert series for chamber orchestra has been continued since 1968 by a series of chamber music only.
In 2008 Simone Young and the Philharmonic State Orchestra won the Brahms Award of the Schleswig-Holstein Brahms Society. The orchestra has recorded the complete Ring by Wagner as well as the complete symphonies of Johannes Brahms and Anton Bruckner – the latter in the rarely-performed original versions – as well as works by Mahler, Hindemith and Berg, and has released DVDs of opera and ballet productions by Hosokawa, Offenbach, Reimann, Auerbach, J.S. Bach, Puccini, Poulenc and Weber.
The members of the Philharmonic State Orchestra feel equally beholden to Hamburg’s musical tradition and responsible for the city’s artistic future. Since 1978 the musicians have been participating in education programmes in Hamburg’s schools. Today, the orchestra maintains a broad education programme, including school and kindergarten visits, patronage for music projects, introductory events for children and family concerts. The orchestra’s own academy prepares young musicians for their professional careers. The Philharmonic’s musicians thereby make an equally enjoyable and valuable contribution to tomorrow’s music education in the music metropolis of Hamburg.
Performances
- Rathausmarkt Open Air
- 1st Academy Concert - Program I
- 1st Academy Concert - Program II
- 1st Academy Concert - Program III
- 4th Academy Concert
- Trionfi
- Carmen
- THE TIMES ARE RACING
- 1st Philharmonic Concert
- Kannst du pfeifen, Johanna
- Boris Godunov
- Special chamber concert
- Tosca
- Jubiläumsgala: 30 Jahre Internationales Opernstudio
- La clemenza di Tito
- Orchesterprobenbesuch
- 2nd Philharmonic Concert
- Don Giovanni
- Jane Eyre
- 3rd Philharmonic Concert
- Elektra
- Der Freischütz
- Luisa Miller
- La Bohème
- SLOW BURN
- 4th Philharmonic Concert
- Hänsel und Gretel (Hansel and Gretel)
- Die Zauberflöte (The Magic Flute)
- The Nutcracker
- New Year's Eve concert
- Der fliegende Holländer
- 5th Philharmonic Concert
- Die Kreide im Mund des Wolfs
- Ariadne auf Naxos
- Manon
- 6th Philharmonic Concert
- Ariadne auf Naxos (concerted)
- Les Contes d'Hoffmann
- Mitridate, re di Ponto
- Eugene Onegin
- Mitridate, re di Ponto (concerted)
- Eugen Onegin (concerted)
- 7th Philharmonic Concert
- PhiSch - das Staatsorchester hautnah...
- Don Pasquale
- Rigoletto
- Maria Stuarda
- La Fanciulla del West (The Girl of the West)
- Il trovatore
- Falstaff
- 8th Philharmonic Concert
- La Traviata
- The Odyssey
- Parsifal
- Pique Dame
- Opening concert of the Hamburg International Music Festival
- Das Tagebuch der Anne Frank
- Romeo and Juliet
- Die dunkle Seite des Mondes
- Tristan und Isolde (Tristan and Isolde)
- 9th Philharmonic Concert
- Salome
- NATIONAL YOUTH BALLET: Die Unsichtbaren
- Nijinsky
- Frühlings Erwachen
- Così fan tutte
- Le Nozze di Figaro
- 10th Philharmonic Concert
- Demian
- Nijinsky Gala L
- 1st Philharmonic Concert
- The Seagull
- HOUSE WARMING CONCERT
- Das Paradies und die Peri
- 3. Blaues Konzert
- Schulkonzert
- 2nd Philharmonic Concert
- Kids only #1: Erwachsene verboten
- Ruslan und Ljudmila
- Lady of the Camellias
- 3rd Philharmonic Concert
- Surrogate Cities
- L'elisir d'amore
- 4th Philharmonic Concert
- New Year's Eve concert
- 5th Philharmonic Concert
- Monster´s Paradise
- Kids only #2: Überall doch nirgends zuhause
- 6th Philharmonic Concert
- POINT OF NO RETURN
- The great silence
- Lohengrin
- 7th Philharmonic Concert
- Women's love and death
- Madama Butterfly
- 8th Philharmonic Concert
- Il Barbiere di Siviglia
- Special concert music festival
- 9th Philharmonic Concert
- Kids only #3: Ich zieh aus!
- Wonderland
- 10th Philharmonic Concert
- Nijinsky Gala LI
photo: Foto: Felix Broede

Chor
Chor der Hamburgischen Staatsoper

Chor der Hamburgischen Staatsoper
The chorus members appear on stage at the Hamburg State Opera in a different role almost every night. From one day to the next, they might be sailors, pilgrims or conspirators, then courtiers, hunters, the deranged or the imprisoned. In the role of crusaders in I Lombardi alla prima Crociata they travel to Jerusalem, other nights they are invited to Madama Butterfly's marriage or acclaim Prince Igor. The ladies and gentlemen of the opera chorus demonstrate their artistic prowess, their flexibility, and their love of the stage in every performance.
With a membership around 70, the chorus of the Hamburg State Opera has been one of the world’s best opera choruses for many years. The varied repertoire – almost always in the original language – is multifaceted and includes baroque operas and dramatic operas, major works by Verdi and Wagner as well as contemporary pieces. At the start of the 2013/14 season, Eberhard Friedrich took over the post of Chorus Master.
Performances
- Rathausmarkt Open Air
- Hamburg Theatre Night
- Trionfi
- Carmen
- Tosca
- La clemenza di Tito
- Der Freischütz
- Luisa Miller
- La Bohème
- Die Zauberflöte (The Magic Flute)
- Der fliegende Holländer
- Manon
- Les Contes d'Hoffmann
- Eugene Onegin
- Eugen Onegin (concerted)
- Don Pasquale
- Rigoletto
- Maria Stuarda
- La Fanciulla del West (The Girl of the West)
- Il trovatore
- Falstaff
- La Traviata
- Parsifal
- Pique Dame
- Die dunkle Seite des Mondes
- Tristan und Isolde (Tristan and Isolde)
- Così fan tutte
- Le Nozze di Figaro
- HOUSE WARMING CONCERT
- Das Paradies und die Peri
- Ruslan und Ljudmila
- L'elisir d'amore
- The great silence
- Lohengrin
- Madama Butterfly
- Il Barbiere di Siviglia
photo: Niklas Marc Heinecke