Ludger Vollmer | Frühlings Erwachen
Thu, Jun. 19, 2025, 7.30 pm
Cast

Komposition
Ludger Vollmer

Composer
Ludger Vollmer
Studies:
Studied violin, viola and composition in Weimar and Leipzig; 1990 diploma (viola); 1998-94 orchestral musician in Leipzig, Magdeburg, Erfurt, since then freelance musician. Musician; 1994-95 student of Alfred Schnittke, Hamburg; 1994-98 Dipl.- Ped. Improv. (Peter Jarchow, Leipzig); 1995-99 Dipl.-Stud. Compos. with concert exam (Dimitri Terzakis, Leipzig); since 1995 study visits to Norway, Turkey, Israel, Greece;
Prizes:
2009 European Tolerance Prize
2011 German Theater Prize Der Faust for the Stuttgart production of the opera GEGEN DIE WAND (director: Neco Celik)
2014 Weimar Prize
2017 Thuringian Composition Prize
Important productions:
Opera:
PAUL UND PAULA oder DIE LEGENDE VOM GLÜCK OHNE ENDE (world premiere 2003, Carus); GEGEN DIE WAND (world premiere 2008, Schott); SCHILLERS RÄUBER_RAP'N BREAKDANCE OPERA (world premiere 2009, Schott); BORDER (world premiere 2012, Schott); LOLA RENNT (UA 2013, Schott); CRUSADES (UA 2017, Schott); TSCHICK (UA 2017, Schott); THE CIRCLE (UA 2019, Schott); ZUSAMMENSTOSS (UA 2024, Schott); BUDDENBROOKS (UA 2024, Schott)
Dance theater:
DREAMCATCHER (1996/97, premiere bönig körperschafft, electro-acoustics and live music, Festspielhaus Hellerau/ Tanzfest Dresden); DER DREISPITZ (Kunstfest Weimar 2002/ Mexico- Tour 2004, Dance Company Bettina Owczarek)
Orchestra:
BORDER - SYMPHONIC ESCAPES (premiere 2014, Schott); DANSES RITUELLES D'EVOCATION DU VÉRITABLE PRINTEMPS #4 (2017, Schott); ZWEI PARALLELEN, EINE SUITE (2017, Schott)
Solo with orchestra:
DIE BERNAUERIN, concerto for harpsichord and strings (premiere 1996, Schott); CONCERT for violin and orchestra (2020, Schott)
Cantatas:
CLARA! , cantata for the 200th birthday of Clara Schumann, 2 soli, choir, chamber orchestra (premiere Dresden 2019, Schott); EIN JEGLICHES HAT SEINE ZEIT, festive cantata 30 Jahre Friedliche Revolution; 2 soli, choir, organ & orchestra (premiere Jena 2019, Schott)
Chamber music:
MY LOVE IS AS A FEVER, for string quartet (premiere 2004, Schott); STEADFAST AGAINST THE SUN, for flute and guitar, (premiere 2003, Ed.Margeaux); TWO HYMNS for string quartet/ alt. Saxophone quartet (prem. 2010/ 2017, Schott); Trio for saxophone, accordion & percussion (prem. Hamburg 2017, Schott)
As well as: Acting music, film and media music
Career stages:
Teaching since 1990. MS Weimar and Jena (MKS) and FHS Jena (1998-2001); work as a composer (performances in Europe, Australia, Asia, both Americas) with a focus on music theater. Evening performances. Operas in Vienna (State Opera), Bremen, Istanbul, Stuttgart, Cologne, Karlsruhe, Darmstadt, Duisburg, Nordhausen, Regensburg, Hagen, Freiburg, Weimar, among others. Publisher: SCHOTT Music GmbH, jury member: e.g. “Jugend musiziert”, AMH (Deutsche Bank Foundation). 2019 Chairman of the German Composers' Association, LV Hamburg. 2020 President of the Hamburg State Music Council. Lives in Hamburg.
Find further information about Ludger Vollmer here.
Performances
photo: Christiane Weber

Text
Martin G. Berger

Text
Martin G. Berger
Martin G. Berger was born in Berlin in 1987 and grew up in Berlin, Istanbul and Munich.
His work as a director, author and translator has taken him all over the German-speaking world, including Theater Basel, Hanover State Opera, Aalto-Theater Essen, Theater an der Wien, Staatstheater Kassel, Oper Dortmund, Staatstheater Darmstadt, Deutsche Oper Berlin (Tischlerei), Luzerner Theater, Theater Bremen, Theater Trier, Deutsches Nationaltheater Weimar, Staatstheater Augsburg, Theater Heidelberg, Volksoper Wien (Kasino am Schwarzenbergplatz), Staatsoperette Dresden, Theater Oberhausen and Neuköllner Oper.
Martin G. Berger has received awards and nominations for his productions, winning the German theater prize FAUST in the category “Best Director Musical Theater” in 2020, after having already been nominated for it in 2018 and nominated for the Götz Friedrich Prize in 2015. He won the Karan Armstrong Prize of the Götz Friedrich Foundation, the German Musical Theater Prize 2016 for Best Director, the Trier Musical Award 2016 and the Orpheus Award for Special Services to Operetta in 2018. His production of The Barber of Seville was named Best Production in the 2019 NRW Critics' Poll.
Martin G. Berger is characterized by his wide range. He works in opera, operetta and musicals, but also in drama, in performance collectives and with puppeteers. He often adapts works in his own way and brings together performers from different genres for his productions.
Berger also appears as an author and translator. His translation of “Maskerade” premiered at Oper Frankfurt in 2021 in a production by Tobias Kratzer. His versions of “Candide”, “Follies” and “Anyone Can Whistle” are published by “Musik und Bühne”, “La Cage Aux Folles” by Felix Bloch Erben. The latter translation was first performed in 2022 in a production by Barry Koskie.
The musical “Der geteilte Himmel” premiered in 2022 at the Mecklenburgisches Staatstheater (music: Wolfgang Böhmer), “Kasimir und Karoline” in 2023 at the Staatsoper Hannover (with Martin Mutschler, music: Jherek Bischoff), “Der 35. Mai” (with Jasper Sonne and Michael Ellis Ingram) will have its world premiere in 2024 at Theater Bremen. The new opera “Frühlings Erwachen” (music: Ludger Vollmer) will be produced by the Hamburg State Opera at Kampnagel in 2025.
Martin G. Berger was opera director at the Mecklenburg State Theater in the 21/22 season.
Berger's path into directing led him to several years as a permanent assistant at the Dortmund Opera and the Hanover State Opera. He assisted renowned directors such as Christine Mielitz, Sebastian Baumgarten, Stefan Huber and Benedikt von Peter.
Find further information about Martin G. Berger here.
Performances
photo: Thomas M. Jauck

Inszenierung
Neco Çelik

Neco Çelik
Birthplace:
West-Berlin, Deutschland
Prizes:
"Urban Guerillas", Audience Award - Nuremberg Film Festival; Filmtage Würzburg (2004), Mühlheimer Theatertage: nomination for the Mühlheimer Dramatiker Preis with the production of "Schwarze Jungfrauen" (2007), "Gegen die Wand", was awarded the German Theater Prize "Der Faust" for the best directorial work in Ludger Vollmer's opera "Gegen die Wand" (2011), "Schweinemilch", Alternative Media Prize in the film category (2015), et al.
Important productions:
"MC MESSER" UA (director/text) composer: Michael Lohmann, Urban Arts Ensemble Ruhr in cooperation with Theater Oberhausen (2024), "Moskau Tscherjomuschki" (director) composer: Dimitri Schostakowitsch Staatstheater Braunschweig (2018), "Benjamin" UA (director) composer: Gion Antoni Derungs, Junge Oper Stuttgart (2017), "Vertrauenssache" (director) composer: Ernst Krenek, Staatsoper Berlin (2013), "Gegen die Wand" (director) composer: Ludger Vollmer, Junge Oper Stuttgart (2010), "Schwarze Jungfrauen" UA (director), book: Feridun Zaimoglu Hebbel Theater am Ufer (HAU) (2006), et al.
Career stages:
Director at the Münchner Kammerspiele (2007); Director at the Staatsoper Berlin (2012-2013-2015), et al.
Performances

Bühne und Kostüme
Alexander Wolf

Video
Jan Speckenbach

Video
Jan Speckenbach
Birthplace:
Muenster, Germany
Studies:
Art science, media arts, philosophy in Munich, Karlsruhe and Paris, Directorial studies at Deutsche Film- und Fernsehakademie in Berlin
Prizes:
“Made in Germany – Förderpreis Perspektive” for the screenplay project “Das Klopfen der Steine” (2013), nomination for “Die Vermissten” at European Film Award as best debut film (2012), severel prizes for the short film “Spatzen“ as well as the qualification for the „Short List” for the Oscar (2009-10), Nestroy-Preis for best video work in “Forever Young”, direction: Frank Castorf (2003), Heinrich-Klotz-Stipendium (2001), Gunter-Schroff-Preis (1994)
Important productions:
(films) “Freiheit“ (2017), “Die Vermissten“ (2012), “Spatzen“ (2009), “Gestern in Eden“ (2008), “Zeitspuren“ (2004)
Collaborations with directors:
Frank Castorf, Claus Peymann, Christoph Schlingensief, Jan Bosse, Amélie Niermeyer, Milan Peschel, Martin Wuttke et al.
Performances
photo: Øglænd

Dramaturgie
Dr. Angela Beuerle

Dramaturge
Dr. Angela Beuerle
Origin:
Freiburg im Breisgau, Germany
Studies:
Musicology, German and Scandinavian Studies, University of Hamburg; doctorate (Dr. phil.) with a thesis on medieval language theory
Career stages:
Freelance dramaturge for music theatre (since 2014), teaching at the theatre academy of the HfMT Hamburg (since 2014), dramaturge for music theatre at Staatstheater Stuttgart (2006-2014), freelance artistic participation at Hamburgische Staatsoper, Ruhrtriennale (until 2006); publishes regularly in the fields of opera, concert, music and literature
Cooperations:
Peter Konwitschny, La fura dels baus, Joachim Schlömer, Igor Bauersima, Yona Kim, Thomas Bischoff, Markus Dietz, Calixto Bieito, Andrea Moses, Jossi Wieler/Sergio Morabito, Lydia Steier, Philipp Himmelmann, u. a.
Performances

Musiktheaterpädagogik
Alanah Chrispeels

Alanah Chrispeels
Biography will be published shortly.
Performances
photo: Alanah Chrispeels

Chor
Mitglieder des The Young ClassX Ensembles

Mitglieder des The Young ClassX Ensembles
Really powerful voices: The Young ClassX Ensemble is not a normal youth choir, but a selection of talented young people who started singing in many different school choirs in Hamburg as part of The Young ClassX initiative - and now don't want to stop.
Under the direction of The Young ClassX choir module leader, Maria Ludwig-Petersen, they regularly work in their free time on a challenging repertoire that spans a wide range of popular music. One of their trademarks is the songs arranged especially for them, some of which are original compositions.
The effort is worth it, as the young people not only receive additional support through vocal coaching, but they also conquer the really big stages as The Young ClassX Ensemble: Elbphilharmonie, Kampnagel, Laeiszhalle - to name but a few. These young singers also inspire audiences beyond the borders of Hamburg and Germany with their passion for music. In 2017, they sang - also in cooperation with the Hamburg State Opera - at the Shanghai Opera in the production ‘Erzittre, feiger Bösewicht!’, a version of Mozart's Magic Flute adapted for young people. In 2022, their journey took them to Carnegie Hall in New York, where they performed under the direction of Kent Nagano in the world premiere of Sean Shepherd's ‘On a Clear Day’ together with the Philharmonic State Orchestra, the Alsterspatzen, the Audi Youth Choir Academy and the Dresdner Kreuzchor.
Initiated in 2008 by the Otto Group and Salut Salon, The Young ClassX has now reached over 30,000 children and young people. The music promotion programme has received several awards throughout Germany and is under the patronage of Prof. Dr Michael Otto, Chairman of the Supervisory Board of the Otto Group, and Dr Peter Tschentscher, First Mayor of the Free and Hanseatic City of Hamburg.
In 2022, The Young ClassX was honoured with the OPUS Klassik for promoting young talent.
Find further information about Mitglieder des The Young ClassX Ensembles here.
Performances
photo: Marcus Krüger

Jugendchor
Alsterspatzen – Jugendchor der Hamburgischen Staatsoper

Alsterspatzen – Jugendchor der Hamburgischen Staatsoper
The Alsterspatzen have been enchanting audiences for many decades as gingerbread or street children, as altar boys and elf choir. In the 2019/20 season, Luiz de Godoy took over the direction of the Hamburg State Opera's children's and youth choir. The young singers appear in productions such as "Hansel and Gretel", "Carmen" or "La Bohème" alongside ensemble members and international guests on the grand stage of the State Opera. They also perform with the Philharmonic State Orchestra at the Elbphilharmonie and in their own projects at the opera stabile.
We thank the Alster-Hof Melzner Foundation for its support.
Find further information about Alsterspatzen – Jugendchor der Hamburgischen Staatsoper here.
Performances
photo: Niklas Marc Heinecke

Orchester
Philharmonisches Staatsorchester Hamburg

Orchestra
Philharmonisches Staatsorchester Hamburg
The Philharmonic State Orchestra is Hamburg’s largest and oldest orchestra, looking back on many years of musical history. When the “Philharmonic Orchestra” and the “Orchestra of the Hamburg Municipal Theatre” merged in 1934, two tradition-steeped orchestras combined. Philharmonic concerts have been performed in Hamburg since 1828, artists such as Clara Schumann, Franz Liszt and Johannes Brahms being regular guests of the Philharmonic Society. The history of the opera company goes back even further: Hamburg has been home to musical theatre since 1678, even if a regular opera or theatre orchestra was only formed later. To this day, the Philharmonic State Orchestra has embodied the sound of the Hansa City, a concert and opera orchestra in one.
During its long history, the orchestra encountered great artist personalities. Apart from composers of the 18th, 19th and 20th centuries, such as Telemann, Tchaikovsky, Strauss, Mahler, Prokofiev and Stravinsky, since the 20th century chief conductors such as Karl Muck, Joseph Keilberth, Eugen Jochum, Wolfgang Sawallisch, Horst Stein, Aldo Ceccato, Christoph von Dohnányi, Gerd Albrecht, Ingo Metzmacher and Simone Young have shaped the orchestra’s sound. Renowned conductors of the pre-war era such as Otto Klemperer, Wilhelm Furtwängler, Bruno Walter, Karl Böhm and Hans Schmidt-Isserstedt gave brilliant performances, as did outstanding conductors of our times: suffice it to mention Christian Thielemann, Semyon Bychkov, Kirill Petrenko, Adam Fischer and Sir Roger Norrington.
Starting with the 2015/2016 season, Kent Nagano has taken on the position of Hamburg’s General Music Director and Chief Conductor of the Philharmonic State Orchestra and the Hamburg State Opera and since June 2023 also its honorary conductor. In his first season Kent Nagano initiated a new project, the Philharmonic Academy, focusing on experimentation and chamber music. In 2016, Nagano and the Philharmonic toured South America, followed by concert tours to Spain and Japan in 2019, and in the spring of 2023, the Philharmonic State Orchestra made its debut at New York's Carnegie Hall under his direction, which was acclaimed by audiences and the press. Since 2017 Kent Nagano and the Philharmonic State Orchestra have continued the traditional Philharmonic Concerts at the new Elbphilharmonie, for which they commissioned Jörg Widmann to compose the oratorio ARCHE, which was given its world premiere during the hall’s opening festivities. The concert recording has been released by ECM, for which Widmann received the OPUS KLASSIK as Composer of the Year 2019, and ARCHE was performed again in 2023 to great acclaim.
The Philharmonic State Orchestra offers approximately 35 concerts per season and performs more than 240 performances per year at the Hamburg State Opera and the Hamburg Ballet John Neumeier, making it Hamburg’s busiest orchestra. The stylistic bandwidth covered by the 140 musicians, ranging from historically informed performance practice to contemporary works and including concert, opera and ballet repertoire, is unique throughout Germany. Chamber Music has a long tradition at the Philharmonic State Orchestra: what began in 1929 with a concert series for chamber orchestra has been continued since 1968 by a series of chamber music only.
In 2008 Simone Young and the Philharmonic State Orchestra won the Brahms Award of the Schleswig-Holstein Brahms Society. The orchestra has recorded the complete Ring by Wagner as well as the complete symphonies of Johannes Brahms and Anton Bruckner – the latter in the rarely-performed original versions – as well as works by Mahler, Hindemith and Berg, and has released DVDs of opera and ballet productions by Hosokawa, Offenbach, Reimann, Auerbach, J.S. Bach, Puccini, Poulenc and Weber.
The members of the Philharmonic State Orchestra feel equally beholden to Hamburg’s musical tradition and responsible for the city’s artistic future. Since 1978 the musicians have been participating in education programmes in Hamburg’s schools. Today, the orchestra maintains a broad education programme, including school and kindergarten visits, patronage for music projects, introductory events for children and family concerts. The orchestra’s own academy prepares young musicians for their professional careers. The Philharmonic’s musicians thereby make an equally enjoyable and valuable contribution to tomorrow’s music education in the music metropolis of Hamburg.
Performances
- Rathausmarkt Open Air
- 1st Academy Concert - Program I
- 1st Academy Concert - Program II
- 1st Academy Concert - Program III
- 4th Academy Concert
- Trionfi
- Carmen
- THE TIMES ARE RACING
- 1st Philharmonic Concert
- Kannst du pfeifen, Johanna
- Boris Godunov
- Special chamber concert
- Tosca
- Jubiläumsgala: 30 Jahre Internationales Opernstudio
- La clemenza di Tito
- Orchesterprobenbesuch
- 2nd Philharmonic Concert
- Don Giovanni
- Jane Eyre
- 3rd Philharmonic Concert
- Elektra
- Der Freischütz
- Luisa Miller
- La Bohème
- SLOW BURN
- 4th Philharmonic Concert
- Hänsel und Gretel (Hansel and Gretel)
- Die Zauberflöte (The Magic Flute)
- The Nutcracker
- New Year's Eve concert
- Der fliegende Holländer
- 5th Philharmonic Concert
- Die Kreide im Mund des Wolfs
- Ariadne auf Naxos
- Manon
- 6th Philharmonic Concert
- Ariadne auf Naxos (concerted)
- Les Contes d'Hoffmann
- Mitridate, re di Ponto
- Eugene Onegin
- Mitridate, re di Ponto (concerted)
- Eugen Onegin (concerted)
- 7th Philharmonic Concert
- PhiSch - das Staatsorchester hautnah...
- Don Pasquale
- Don Pasquale (concerted)
- Rigoletto
- Maria Stuarda
- La Fanciulla del West (The Girl of the West)
- Il trovatore
- Falstaff
- 8th Philharmonic Concert
- La Traviata
- The Odyssey
- Parsifal
- Pique Dame
- Opening concert of the Hamburg International Music Festival
- Das Tagebuch der Anne Frank
- Romeo and Juliet
- Die dunkle Seite des Mondes
- Tristan und Isolde (Tristan and Isolde)
- 9th Philharmonic Concert
- Salome
- NATIONAL YOUTH BALLET: Die Unsichtbaren
- Nijinsky
- Frühlings Erwachen
- Così fan tutte
- Le Nozze di Figaro
- 10th Philharmonic Concert
- Demian
- Nijinsky Gala L
- 1st Philharmonic Concert
- The Seagull
- HOUSE WARMING CONCERT
- Das Paradies und die Peri
- 3. Blaues Konzert
- Schulkonzert
- 2nd Philharmonic Concert
- Kids only #1: Erwachsene verboten
- Ruslan und Ljudmila
- Lady of the Camellias
- 3rd Philharmonic Concert
- Surrogate Cities
- L'elisir d'amore
- 4th Philharmonic Concert
- New Year's Eve concert
- 5th Philharmonic Concert
- Monster´s Paradise
- Kids only #2: Überall doch nirgends zuhause
- 6th Philharmonic Concert
- POINT OF NO RETURN
- The great silence
- Lohengrin
- 7th Philharmonic Concert
- Women's love and death
- Madama Butterfly
- 8th Philharmonic Concert
- Il barbiere di Siviglia
- Special concert music festival
- 9th Philharmonic Concert
- Kids only #3: Ich zieh aus!
- Wonderland
- 10th Philharmonic Concert
- Nijinsky Gala LI
photo: Foto: Felix Broede

Orchester
Felix Mendelssohn Jugendorchester

Orchester
Felix Mendelssohn Jugendorchester
With over 100 members aged between 10 and 27, the Felix Mendelssohn Youth Orchestra is one of the largest youth symphony orchestras in Germany. Since it was founded in 1973 by Rainer Holdhoff, the orchestra has thrilled national and international audiences in concert halls such as the Mozarteum Salzburg, the Halle aux Grains in Toulouse and the Dvořák and Smetana Hall in Prague. In January 2017, the orchestra had the honour of being the first youth ensemble to play in the Great Hall of the newly opened Elbphilharmonie. In the same year, the MJO also received the European Young Orchestra Prize. Renowned conductors such as Christoph von Dohnányi, Kent Nagano, Sir Jeffrey Tate, Ion Marin, Guy Braunstein, John Axelrod, Robert Trevino and Eivind Gullberg Jensen have already rehearsed with the Felix Mendelssohn Jugendorchester, which has been a sponsor orchestra of the Hamburg Symphony Orchestra since the 2013/2014 season. Prof Clemens Malich has been the artistic director since 2003.
After many years of collaboration, the Felix Mendelssohn Youth Orchestra has been sponsored by The Young ClassX since 2013. Many members of the orchestra teach as assistant coaches in the music initiative's instrumental module and pass on their enthusiasm for classical music to young scholarship holders.
The musical focus of this orchestra is on works from the Romantic period to the modern era as well as ‘great’ solo works. Soloists who have already performed with the MJO include young talents from the orchestra as well as artists such as Jan Vogler and Johannes Moser.
The Young ClassX was initiated by the Otto Group and Salut Salon in 2008 and has since reached over 30,000 children and young people. The music promotion programme has received several awards throughout Germany and is under the patronage of Prof. Dr Michael Otto, Chairman of the Supervisory Board of the Otto Group, and Dr Peter Tschentscher, First Mayor of the Free and Hanseatic City of Hamburg.
In 2022, The Young ClassX was honoured with the OPUS Klassik for promoting young talent.
Performances
photo: Jon Trachsel