Staatsoper Hamburg - Stück-Besetzung: Wolfgang Amadeus Mozart

Musikalische Leitung

Nicholas Carter

Il Conte d'Almaviva

Kartal Karagedik

Baritone

Kartal Karagedik

Birthplace:
Izmir, Turkey

Studies:
Singing in Izmir at the University of Istanbul, among others with Alper Kazancioglu and Prof. Güzin Gürel

Master classes:
With Giorgio Zancanaro, Paolo Ballarin, Barbara Frittoli, Luciana Serra and Alfonso Antoniozzi.

Prizes:
First Prize at the Debut Competition (2012), Third Prize and Critics' Award at the Ottavio Ziino Concorso Lirico Internazionale in Rome (2011), Second Prize at the Leyla Gencer Competition in Istanbul (2010), Second Prize at the Beniamino Gigli Competition in Rome (2009), "Best Male Singer" at the International Duchi d'Acquaviva Competition in Atri (2008), "Special Mention Prize" at the International Opera Competition in Como (2008), third prize at the Ferruccio Tagliavini Competition in Graz (2007), first prize at the Güzin Gürel Foundation Lieder Competition in Istanbul (2007)

Relation to the Hamburg State Opera:
Ensemble member of the Hamburg State Opera since 2015/16

Important parts:
Renato (Un ballo in maschera), Rodrigo (Don Carlo), Germont (La Traviata), Simon Boccanegra (Simon Boccanegra), Onegin (Eugeny Onegin), Lescaut (Manon Lescaut), Marcello (La Bohème), Sharpless (Madama butterfly), Sonora (La Fanciulla del West), (Enrico (Lucia di Lammermoor), Duca D'alba (Duca D'alba), Belcore (L'Elisir d'Amore), Riccardo (I Puritani), Il Conte d'Almaviva (Le Nozze di Figaro), Guglielmo (Così fan tutte), Don Giovanni (Don Giovanni), Carlo Gérard (Andrea Chénier), Mischonnet (Adriana Lecouvreur), Dandini (La Cenerentola), Poeta ( Il Turco in Italia), Chorébe (Les Troyens), Escamillo (Carmen), Valentin (Faust), Ford (Falstaff), Malatesta (Don Pasquale), et al.

Stages:
Hamburg State Opera, Opera Vlaanderen, Theater St. Gallen, Savonlinna Opera Festival, Elbphilharmonie Hamburg, Puccini Festival at Torre del Lago, Teatro Comunale di Bologna, Komische Oper Berlin, Theater Magdeburg, Theater Erfurt, Oper Leipzig, Staatstheater Braunschweig, Izmir State Opera, et al.

Cooperation with directors:
Georges Delnon, Stefan Herheim, Kirsten Harms, Herbert Fritsch, Michael Thalheimer, Guy Montavon, Carlos Wagner, Stefano Poda, Robert Carsen, et al.

Cooperation with conductors:
Kent Nagano, Stefano Ranzani, Ottavio Dantone, Eliahu Inbal, Roberto Rizzi-Brignoli, Christoph Prick, Valerio Galli, Andriy Yurkevych, Yves Abel, John Storgårds, Anthony Bramal, Ulf Schirmer, Manlio Benzi, Joana Mallwitz, Peter Feranec, Modesta Pitrenas, Francesco Ivan Ciampa, et al.

Performances

photo: Kartal Karagedik

La Contessa d'Almaviva

Olga Peretyatko

Susanna

Katharina Konradi

Figaro

Chao Deng

Bass-baritone

Chao Deng

Birthplace:
Tianjin, China

Studies:
Vocal studies in Tianjin, China; diploma in voice at the Hochschule für Musik Würzburg with Cheryl Studer; master studies with Christian Elsner and in the Lied class of Gerold Huber and opera studio at the Hochschule für Musik Weimar with Prof. Dr. Michail Lanskoi; master class exam at the Hochschule für Musik Dresden with KS Prof. Matthias Henneberg.

Master classes:
With Liang Li, Michaelis Doukakis, John Norris, KS Camilla Nylund, KS Helen Donath, KS Brigitte Fassbaender, Sonja Prina, Alberto Triola, Catherine Foster, Georg Zeppenfeld, Juliane Banse, Roberto Scandiuzzi, KS Deborah Polaski.

Awards:
Prize for Opera Singing of the Concerto Foundation Würzburg (2015), Prize Winner of the International Singing Competition of the Chamber Opera Schloss Rheinsberg (2014), Scholarship Holder of the Richard Wagner Association Bayreuth Festival (2014), et al.

Relation to the State Opera:
Ensemble member of the Hamburg State Opera since the 2020/21 season.

Important roles:
Figaro (Le Nozze di Figaro), Escamillo (Carmen), Alidoro (La Cenerentola), Peter (Hänsel und Gretel), Fasolt (Das Rheingold), Comte Capulet (Roméo et Juliette), Häuptling Abendwind (Häuptling Abendwind), Ramfis (Aida), Gianni Schicchi/Betto di Signa (Gianni Schicchi), Papageno/Sprecher /2. Geharnischte (Die Zauberflöte), Frank (Die Fledermaus), Don Fernando (Fidelio), Schaunard (La Bohème), Herr Fluth (Die lustigen Weiber von Windsor), Kilian/Ottokar (Der Freischütz), Buonafede (Il mondo della luna), Förster (Das schlaue Füchslein), Le Duc (Romeo et Juliette), Angelotti (Tosca), Colas (Bastien et Bastienne), Priamus (Les Troyens), Antonio (Le nozze di Figaro), Marullo/Ceprano (Rigoletto), Zuniga (Carmen), De Retz (Les Huguenots), Lord Syndham (Zar und Zimmermann), Spielmann (Königskinder), Journalist (Lulu), Osias, Oberpriester (Judith), et al.

Stages:
Hamburg State Opera, Opernhaus Zürich, Bavarian State Opera, Dresden Semper Opera, German Opera on the Rhine, Dresden Philharmonic, Braunschweig State Theater, German National Theater Weimar, Dresden State Operetta, Erfurt Theater, Weimarhalle, Saar Music Festival, Shanghai Opera House, et al.

Collaboration with directors:
Peter Konwitschny, Lydia Steier, Barrie Kosky, Mariame Clément,Yona Kim, Manfred Weiß, Sabine Hartmannshenn, Hasko Weber, Anette Leistenschneider, Guy Montavon, Andrea Moses, et al.

Collaboration with conductors:
Kent Nagano, Sebastian Weigle, Stefano Ranzani, John Fiore, Stefan Soltész, Xu Zhong, Daniele Callegari, Speranza Scappucci, Giampaolo Bisanti, Ivan Repušić, Riccardo Minasi, Giacomo Sagripanti, Roberto Rizzi Brignoli, Thomas Leo Cadenbach, Moritz Gnann, Felix Krieger, Christoph Gedschold, Kristiina Poska, Tomáš Netopil, Antonino Fogliani, Omer Meir Wellber, Nikolaj Szeps-Znaider, Stefan Lano, Martin Hoff, Georg Fritzsch, et al.

Find further information about Chao Deng here.

Performances

photo: Jie Chen

Cherubino

Julia Lezhneva

Soprano

Julia Lezhneva

Birthplace:
Sakhalin, Russia

Studies:
Moscow Conservatory Academic Music College, London’s Guildhall School

Master class:
with Elena Obraztsova, Alberto Zedda, Richard Bonynge and Thomas Quasthoff

Prizes:
Singer of the year at OPUS Klassik 2018, ECHO classical prize, first prize at the Mirjam Helin International Singing Competition in Helsinki (2009), first prize at the Paris International Opera Competition (2010)

Important roles:
Morgana (Alcina), (Il barbiere di Siviglia), Angelica (Orlando Furioso), Galatea (Polifemo), Susanna/Barberina (Le nozze di Figaro), Asteria (Tamerlano)

Stages:
Royal Opera House Covent Garden, Royal Albert Hall, Barbican Centrein London, Severance Hall in Cleveland, Lincoln Center in New York, NHK Hall in Tokyo, Bunka Kaikan in Tokyo, Amsterdam Concertgebouw, Madrid Auditorium, Salle Pleyel, Théâtre des Champs-Élysées in Paris, Wiener Konzerthaus, Theater an der Wien, Staatsoper Unter den Linden Berlin, Laeiszhalle Hamburg, Philharmonie Essen, Théâtre Royal de la Monnaie, Palais de Beaux Arts in Brussels, The Bolshoi Theatre, Melbourne Recital Centre, St. Petersburg Philharmonic, Salzburger Festspiele, Salzburg Mozartwoche, Baden-Baden Festspielhaus, Gstaad Menuhin Festival, Chorégies d’Orange, Verbier Festival, Händel-Festspiele Halle, Quincena Musical, Wratislawia Cantans, Misteria Paschalia, Rossini Opera Festival, S. Richter “December Nights” Festival in Moscow, Schleswig-Holstein Musik Festival, Lucerne Festival, Dubrovnik Festival, Kissinger Sommer, Nordland Musikfestukke Bodö, et al.

Cooperations with directors:
Kasper Holten, Uwe Eric Laufenberg, Christof Loy, Gilbert Deflo, Max Emanuel Cencic, Rolando Villazón et al.

Cooperation with conductors:
Marc Minkowski, Giovanni Antonini, Adam Fischer, Sir Antonio Pappano, Herbert Blomstedt, Alberto Zedda, Paavo Järvi, Vladimir Jurowski, Philippe Herreweghe, Franz Welser-Möst, Sir Roger Norrington, René Jacobs, Andrea Marcon, Fabio Biondi, Jean-Christoph Spinosi, Diego Fasolis, Ottavio Dantone, Konrad Junghänel, et al.

Find further information about Julia Lezhneva here.

Performances

Le Nozze di Figaro

photo: Ksenia Zasetskaya

Marcellina

Claire Gascoin

Don Basilio

Peter Galliard

Tenor

Peter Galliard

Birthplace:
Chur, Switzerland

Studies:
With Rico Peterelli, Conservatory in Feldkirch with Maria Eibenschütz, at the Mozarteum Salzburg with Rudolf Knoll

Prizes:
First Prize at the International Mozart Competition (1985), Förderpreis of the Kanton Graubünden (1987), Dr. Wilhelm-Oberdörffer-Preis of the Stiftung zur Förderung der Hamburgischen Staatsoper (1989), honored by the Hamburg Senate with the title of “Kammersänger” (2017)

Relation to the Hamburg State Opera:
Ensemble member of the Hamburg State Opera since 1986/87

Important parts:
Tamino (Die Zauberflöte), Jaquino (Fidelio), Cassio (Otello), Froh and Loge (Das Rheingold), Alfred and Eisenstein (Die Fledermaus), Peter Iwanow (Zar und Zimmermann), Bardolfo (Falstaff), Hauptmann (Wozzeck), Knusperhexe (Hänsel und Gretel), Lenski (Eugen Onegin), Narraboth (Salome), Don Basilio (Le Nozze di Figaro), Prinz and Hauptmann (Lulu), L’Aumonier (Dialogues des Carmélites), Melot (Tristan und Isolde), Walther von der Vogelweide (Tannhäuser), Wolfgang Capito (Mathis der Maler), Goro (Madama Butterfly), Red Whiskers (Billy Budd), Dämon (L’Upupa und der Triumph der Sohnesliebe), Bischof von Budoja (Palestrina), Mime (Siegfried), et al.

Stages:
Hamburgische Staatsoper, Lucerne Festival, Salzburger Osterfestspiele, Opéra National de Paris, Enescu Festival in Bukarest, Staatsoper Unter den Linden Berlin, Deutsche Oper Berlin, Oper Frankfurt, Semperoper Dresden, Oper Leipzig, Staatstheater Nürnberg, et al.

Cooperation with directors:
Claus Guth, August Everding, Johannes Schaaf, Harry Kupfer, Peter Konwitschny, Johannes Erath, Renaud Doucet, Georg Schmiedleitner, Stefan Herheim, Herbert Wernicke, Calixto Bieito, Willy Decker, Paul-Georg Dittrich, et al.

Cooperation with conductors:
Nikolaus Harnoncourt, Christian Thielemann, Ingo Metzmacher, Simone Young, Kirill Petrenko, Kent Nagano, Lawrence Foster, Gerrit Prießnitz, Marcus Bosch, Philippe Jordan, Paolo Carignani, Vaclav Luks, et al.

Performances

photo: Martina Cyman

Don Curzio

Jürgen Sacher

Tenor

Jürgen Sacher

Birthplace:
Augsburg, Germany

Studies:
Church music and music education at the Leopold-Mozart Konservatorium in Augsburg, vocal studies with Leonore Kirschstein

Prizes:
Scholarship of the Richard Wagner Verband, Promotion Prize of the Hamburgische Staatsoper, appointment as Hamburger Kammersänger (2017)

Relation to the Hamburg State Opera:
Ensemble member of the Staatsoper Hamburg since 1991/92

Important parts:
Mime (Siegfried), Mime/Loge (Das Rheingold), Herodes (Salome), Knusperhexe (Hänsel und Gretel), Hauptmann/Andres (Wozzeck), Monostatos/1. Geharnischter (Die Zauberflöte), Maler/Prinz/Marquis/Kammerdiener (Lulu), Dr. Cajus (Falstaff), Tichon (Katja Kabanova), Truffaldino (Die Liebe zu den drei Orangen), Valzacchi (Der Rosenkavalier), David (Die Meistersinger von Nürnberg), Junger Mann (Moses und Aron), Steuermann (Der fliegende Holländer), Peter Iwanow (Zar und Zimmermann), Pedrillo (Die Entführung aus dem Serail), Walther von der Vogelweide (Tannhäuser), Goro (Madame Butterfly), Graf Elemer (Arabella), Raoul de St. Brioche (Die lustige Witwe), Novagerio (Palestrina), Orontes (Flavius Bertaridus), Asasello (Der Meister und Margarita), Tanzmeister (Ariadne auf Naxos), Graf von Kent (Lear), Reverend Adams (Peter Grimes), L´Aumonier (Dialogues des Carmélites), Aegisth (Elektra), Fedotik (Tri Sestri), Sylvester von Schaumburg (Mathis der Maler), et al.

Stages:
Hamburgische Staatsoper, Staatsoper Unter den Linden, La Monnaie, Gran Teatre del Liceu, Königliche Oper von Kopenhagen, Teatro alla Scala, Salzburger Festspiele, Theater an der Wien, Budapester Staatsoper, Theatro Municipal de São Paulo, Wagner Festival Budapest, Theater Dortmund, Staatstheater Braunschweig, Staatsoper Budapest, et al.

Cooperation with directors:
Harry Kupfer, Willy Decker, Claus Guth, Mario Martone, Achim Freyer, Géza M. Tóth, Livia Sabag, Roger Vontobel, Stefan Herheim, Karoline Gruber, Vincent Boussard, Jochen Biganzoli, et al.

Cooperation with conductors:
Adam Fischer, Bertrand de Billy, Claudio Abbado, Kent Nagano, Semyon Bychkov, Horst Stein, Christian Thielemann, Ingo Metzmacher, Michael Boder, Kirill Petrenko, Simone Young, Daniel Barenboim, et al.

Performances

photo: Martina Cyman

Don Bartolo

Tigran Martirossian

Bass

Tigran Martirossian

Birthplace:
Yerevan, Armenia

Studies:
Musical studies at the Gnessin State Academy of Music with Prof. Artur Eizen and Prof. Pavel Lisitsian

Prizes:
Prize winner of nine international singing competitions, inter alia, second prize in the “Neue Stimmen” Competition in Gütersloh (1997), second prize in the 2nd International Singing Competition in Shizuoka (2000), first prize in the Ondina Otta Competition in Marburg (1999)

Relation to the Hamburg State Opera:
Ensemble member of the Hamburg State Opera since 2005/06

Important parts:
Ramfis (Aida), König René (Jolanthe), Salieri (Mozart und Salieri), Fiesco (Simon Boccanegra), Dulcamara (L’Elisir d’Amore), Figaro (Le Nozze di Figaro), Sulpice (La Fille du Régiment), Colline (La Bohème), Basilio (Il Barbiere di Siviglia), Selim (Il Turco in Italia), Banco (Macbeth), Pagano (I Lombardi alla prima Crociata), Daland (Der fliegende Holländer), Dossifei (Chowanschtschina), Fasolt (Das Rheingold), Rodolfo (La Sonnambula), Raimondo (Lucia di Lammermoor) Don Magnifico (La Cenerentola), Philippe II (Don Carlos), Méphistophélès (Faust), Fürst Galizky (Fürst Igor), Ein Eremit (Der Freischütz), Doktor (Wozzeck), Oroveso (Norma) , Pimen (Boris Godunov), et al.

Stages:
Novaya Opera Theatre of Moscow, Bolshoi Theatre, Metropolitan Opera, Teatro alla Scala, Opéra National de Paris, Teatro Real in Madrid, Bayerische Staatsoper, Wiener Staatsoper, Maggio Musicale Fiorentino, Salzburg Festival, Theater an der Wien, Bregenz Festival, Staatsoper Unter den Linden Berlin, Royal Opera House Covent Garden, Opéra Bastille, St. Galler Festspiele, et al.

Cooperation with directors:
Achim Freyer, Yona Kim, Jochen Biganzoli, David Alden, Andreas Homoki, Vincent Boussard, Stefan Herheim, Florentine Klepper, Francesca Zambella, et al.

Cooperation with conductors:
Sir Colin Davis, Zubin Mehta, James Levine, Mstislav Rostropovich, Carlo Rizzi, Simone Young, Plácido Domingo, Kent Nagano, Sylvain Cambreling, Valery Gergiev, Michel Plasson, Jukka-Pekka Saraste, Michael Tilson-Thomas, Daniel Oren, Mark Wigglesworth, Philippe Jordan, Daniele Callegari, Riccardo Frizza, et al.

Find further information about Tigran Martirossian here.

Performances

Antonio

Keith Klein

Barbarina

Marie Maidowski

Soprano

Marie Maidowski

Birthplace:
Berlin, Germany

Studies:
Bachelor in singing and music theater with KS Prof. Julie Kaufmann at the Berlin University of the Arts Master in concert singing with KS Prof. Christiane Iven at the University of Music and Performing Arts Munich

Master class:
19th Lotte Lehmann Week in Perleberg (2016)
Masterclass with Prof. Marga Schiml in Switzerland (2019)
Masterclass with Prof. Gabriele Lechner in Baden near Vienna (2020)

Prizes:
Scholarship from the Young Musicians Foundation in Mühlheim (2018) Scholarship from the Cusanuswerk study grant (since 2020) Finalist at the German National Singing Competition in the Junior Competition category (2020) Scholarship from the German Stage Association (2023) Staetshuys Fund Prize and Van Amelsvoort Prize for the best interpretation of a work by a female composer at the International Vocal Competition 2023 in `s Hertogenbosch with Lied Duo partner YoungSeob Jeon
Audience and jury prize at the HIDALGO Song Prize 2023 with Lied Duo partner YoungSeob Jeon

Relation to the Hamburg State Opera:
Member of the International Opera Studio of the Hamburg State Opera from the 2024/25 season

Important parts:
Susanna (The Marriage of Figaro), Nurse (Alzheim), Barbarina (Le nozze di Figaro), Silvia (L'isola disabitata), Lovis (Der Baumgeist), Papagena (Die Zauberflöte), Daphne Colgate (Georgia Bottoms), et al.

Stages:
Staatstheater Cottbus, Philharmonie Luxembourg, Cuvilliéstheater Munich, et al.

Cooperation with directors:
Frank Hilbrich, Bernarda Horres, Tomo Sugao, Maximilian Berling, Isabel Hindersin, et al.

Cooperation with conductors:
Errico Fresis, Johannes Zurl, Johanna Soller, Aris Blettenberg, Henri Bonamy, Gad Kadosh, et al.

Find further information about Marie Maidowski here.

Performances

photo: Jörn Kipping

Orchester

Philharmonisches Staatsorchester Hamburg

Orchestra

Philharmonisches Staatsorchester Hamburg

The Philharmonic State Orchestra is Hamburg’s largest and oldest orchestra, looking back on many years of musical history. When the “Philharmonic Orchestra” and the “Orchestra of the Hamburg Municipal Theatre” merged in 1934, two tradition-steeped orchestras combined. Philharmonic concerts have been performed in Hamburg since 1828, artists such as Clara Schumann, Franz Liszt and Johannes Brahms being regular guests of the Philharmonic Society. The history of the opera company goes back even further: Hamburg has been home to musical theatre since 1678, even if a regular opera or theatre orchestra was only formed later. To this day, the Philharmonic State Orchestra has embodied the sound of the Hansa City, a concert and opera orchestra in one.

During its long history, the orchestra encountered great artist personalities. Apart from composers of the 18th, 19th and 20th centuries, such as Telemann, Tchaikovsky, Strauss, Mahler, Prokofiev and Stravinsky, since the 20th century chief conductors such as Karl Muck, Joseph Keilberth, Eugen Jochum, Wolfgang Sawallisch, Horst Stein, Aldo Ceccato, Christoph von Dohnányi, Gerd Albrecht, Ingo Metzmacher and Simone Young have shaped the orchestra’s sound. Renowned conductors of the pre-war era such as Otto Klemperer, Wilhelm Furtwängler, Bruno Walter, Karl Böhm and Hans Schmidt-Isserstedt gave brilliant performances, as did outstanding conductors of our times: suffice it to mention Christian Thielemann, Semyon Bychkov, Kirill Petrenko, Adam Fischer and Sir Roger Norrington.

Starting with the 2015/2016 season, Kent Nagano has taken on the position of Hamburg’s General Music Director and Chief Conductor of the Philharmonic State Orchestra and the Hamburg State Opera and since June 2023 also its honorary conductor. In his first season Kent Nagano initiated a new project, the Philharmonic Academy, focusing on experimentation and chamber music. In 2016, Nagano and the Philharmonic toured South America, followed by concert tours to Spain and Japan in 2019, and in the spring of 2023, the Philharmonic State Orchestra made its debut at New York's Carnegie Hall under his direction, which was acclaimed by audiences and the press. Since 2017 Kent Nagano and the Philharmonic State Orchestra have continued the traditional Philharmonic Concerts at the new Elbphilharmonie, for which they commissioned Jörg Widmann to compose the oratorio ARCHE, which was given its world premiere during the hall’s opening festivities. The concert recording has been released by ECM, for which Widmann received the OPUS KLASSIK as Composer of the Year 2019, and ARCHE was performed again in 2023 to great acclaim.

The Philharmonic State Orchestra offers approximately 35 concerts per season and performs more than 240 performances per year at the Hamburg State Opera and the Hamburg Ballet John Neumeier, making it Hamburg’s busiest orchestra. The stylistic bandwidth covered by the 140 musicians, ranging from historically informed performance practice to contemporary works and including concert, opera and ballet repertoire, is unique throughout Germany. Chamber Music has a long tradition at the Philharmonic State Orchestra: what began in 1929 with a concert series for chamber orchestra has been continued since 1968 by a series of chamber music only.

In 2008 Simone Young and the Philharmonic State Orchestra won the Brahms Award of the Schleswig-Holstein Brahms Society. The orchestra has recorded the complete Ring by Wagner as well as the complete symphonies of Johannes Brahms and Anton Bruckner – the latter in the rarely-performed original versions – as well as works by Mahler, Hindemith and Berg, and has released DVDs of opera and ballet productions by Hosokawa, Offenbach, Reimann, Auerbach, J.S. Bach, Puccini, Poulenc and Weber.

The members of the Philharmonic State Orchestra feel equally beholden to Hamburg’s musical tradition and responsible for the city’s artistic future. Since 1978 the musicians have been participating in education programmes in Hamburg’s schools. Today, the orchestra maintains a broad education programme, including school and kindergarten visits, patronage for music projects, introductory events for children and family concerts. The orchestra’s own academy prepares young musicians for their professional careers. The Philharmonic’s musicians thereby make an equally enjoyable and valuable contribution to tomorrow’s music education in the music metropolis of Hamburg.

Performances

photo: Foto: Felix Broede

Chor

Chor der Hamburgischen Staatsoper

Cast

Nicholas Carter

Performances

Kartal Karagedik

Performances

Olga Peretyatko

Performances

Katharina Konradi

Performances

Chao Deng

Performances

Julia Lezhneva

Performances

Claire Gascoin

Performances

Peter Galliard

Performances

Jürgen Sacher

Performances

Tigran Martirossian

Performances

Keith Klein

Performances

Marie Maidowski

Performances

Philharmonisches Staatsorchester Hamburg

Performances

Chor der Hamburgischen Staatsoper

Performances