Staatsoper Hamburg - Stück-Besetzung: Giuseppe Verdi

photo: Lorraine Wauters/Opéra Royal de Wallonie

Musikalische Leitung

Paolo Arrivabeni

Chorleitung

Christian Günther

Luna

George Petean

Baritone

George Petean

George Petean was born in Cluj-Napoca (Romania), where he finished the Music School (piano and trombone) and studied canto at the Music Academy "G. Dima" in Cluj-Napoca, continuing his studies with Vicente Sardinero and Giorgio Zancanaro.

In 1997 he made his romanian debut in the title role of “Don Giovanni”, followed by Malatesta in “Don Pasquale”, Silvio in “Pagliacci”, Figaro in “Il Barbiere di Siviglia”, Valentin in “Faust”, Ford in “Falstaff” and Marcello in “La Bohème” at the Opera in Cluj-Napoca.

In 1999 he was the winner of the Grand Prix of the international singing competition "Hariclea Darclée" in Romania. During the 2000 season he made his international debut in the role of Marcello in “La Bohème” at the Rome Opera House. During the period 2002-2010, he was member of the Hamburg State Opera.

He also appears in the most important international opera stages, as with “Il Barbiere di Siviglia” (in Frankfurt, Hamburg, Vienna State Opera, Peking, ROH Covent Garden, Opéra de Paris Bastille, Teatro Comunale Bologna), “Pagliacci” (in ROH Covent Garden), “Il Trovatore” (in Bregenz Festival, Grand Théâtre de Genève), “La Bohème” (at Opéra de Paris, Frankfurt, Hamburg, Opéra de Monte Carlo, Metropolitan Opera New York), “Don Carlo” (in Vienna State Opera, Frankfurt, Munich, Hamburg), “Lucia di Lammermoor” (for the Vienna State Opera, Opéra National du Rhin Strasbourg, Frankfurt, Hamburg), “L’elisir d’amore” (at Opéra de Paris Bastille, Hamburg), “L’amico Fritz” (at the Deutsche Oper Berlin with recording for Deutsche Grammophon), “Un ballo in Maschera” (at Vienna State Opera, ORW Liège, Opéra de Lausanne, Aalto Theater Essen, Hamburg), “La Traviata” (at the Deutsche Oper Berlin, Hamburg, Teatro de la Maestranza in Sevilla), “Faust” (at the Hamburg State Opera), “Rigoletto” and “Attila” (at the Opéra de Monte Carlo) as well as “I Puritani” in Zurich.

Recently he sang in “Simon Boccanegra” in Sydney, “Otello” in Madrid, “Il Trovatore” in Parma, “Macbeth” in Salerno and “Rigoletto” in Naples. Among his future engagements: “Rigoletto” in Hamburg and Liege, “La Traviata” at Metropolitan Opera in New York and at the Royal Opera House in London, “Otello” in Dresden, “Il Trovatore” in Barcelona, “Andrea Chenier” in Munich.

Performances

Il trovatore

Manrico

Marco Berti

Leonora

Olga Peretyatko

Azucena

Kristina Stanek

Ferrando

Hubert Kowalczyk

Inez

Marie Maidowski

Soprano

Marie Maidowski

Birthplace:
Berlin, Germany

Studies:
Bachelor in singing and music theater with KS Prof. Julie Kaufmann at the Berlin University of the Arts Master in concert singing with KS Prof. Christiane Iven at the University of Music and Performing Arts Munich

Master class:
19th Lotte Lehmann Week in Perleberg (2016)
Masterclass with Prof. Marga Schiml in Switzerland (2019)
Masterclass with Prof. Gabriele Lechner in Baden near Vienna (2020)

Prizes:
Scholarship from the Young Musicians Foundation in Mühlheim (2018) Scholarship from the Cusanuswerk study grant (since 2020) Finalist at the German National Singing Competition in the Junior Competition category (2020) Scholarship from the German Stage Association (2023) Staetshuys Fund Prize and Van Amelsvoort Prize for the best interpretation of a work by a female composer at the International Vocal Competition 2023 in `s Hertogenbosch with Lied Duo partner YoungSeob Jeon
Audience and jury prize at the HIDALGO Song Prize 2023 with Lied Duo partner YoungSeob Jeon

Relation to the Hamburg State Opera:
Member of the International Opera Studio of the Hamburg State Opera from the 2024/25 season

Important parts:
Susanna (The Marriage of Figaro), Nurse (Alzheim), Barbarina (Le nozze di Figaro), Silvia (L'isola disabitata), Lovis (Der Baumgeist), Papagena (Die Zauberflöte), Daphne Colgate (Georgia Bottoms), et al.

Stages:
Staatstheater Cottbus, Philharmonie Luxembourg, Cuvilliéstheater Munich, et al.

Cooperation with directors:
Frank Hilbrich, Bernarda Horres, Tomo Sugao, Maximilian Berling, Isabel Hindersin, et al.

Cooperation with conductors:
Errico Fresis, Johannes Zurl, Johanna Soller, Aris Blettenberg, Henri Bonamy, Gad Kadosh, et al.

Find further information about Marie Maidowski here.

Performances

photo: Jörn Kipping

Ruiz

Aaron Godfrey-Mayes

Tenor

Aaron Godfrey-Mayes

Birthplace:
Mansfield, United Kingdom

Studies:
Mascarade Emerging Artist (2022-2023)
Mascarade Opera Studio (2021-2022)
Advanced Diploma, Royal Academy Opera
Master of Arts, Royal Academy of Music
Bachelor of Music, Royal Academy of Music

Master class:
Allan Clayton, Royal Academy of Music
Dennis O’Neill, Royal Academy of Music
Carmen Santoro, Mascarade Opera Studio
Ann Murray
Ian Partridge, Royal Academy of Music

Prizes:
1 st place, Royal Academy of Music Pavarotti Prize
3 rd place & Wil Keune Mozart Prize, Veronica Dunne International Singing Competition
1 st place, David Clover Festival of Singing Recital Prize
19 th century Italian opera prize, Mozart Singing Competition
Prize winner, Richard Lewis/Jean Shanks Award
1 st place, Nottinghamshire Masonic Music Association Bursary

Relation to the Hamburg State Opera:
Member of the International Opera Studio of the Hamburg State Opera since the season 2023/24

Important parts:
Don Ramiro (La Cenerentola), Ferrando (Così fan tutte), Flute (A Midsummer Night’s Dream), Alì (Adina), Albert Herring (Albert Herring), Triquet (Eugene Onegin)

Stages:
Teatro La Fenice, Garsington Opera, Nevill Holt Opera, Königliches Kurtheater Bad Wildbad, et al.

Cooperation with directors:
Oliver Mears, Marie Lambert-Le Bihan, Noa Naamat, Douglas Boyd, Paul Curran, Federico Grazzini, Pedro Ribeiro, Jean-Romain Vesperini, et al.

Cooperation with conductors:
Philippe Herreweghe, Trevor Pinnock, Iain Ledingham, Luciano Acocella, Jonathan Santagada, Douglas Boyd, Sian Edwards, Peter Robinson, Matthew Scott Rogers, Nicholas Chalmers, Dionysis Grammenos, Tom Seligman, et al.

Performances

photo: Jörn Kipping

Chor

Chor der Hamburgischen Staatsoper

Orchester

Philharmonisches Staatsorchester Hamburg

Orchestra

Philharmonisches Staatsorchester Hamburg

The Philharmonic State Orchestra is Hamburg’s largest and oldest orchestra, looking back on many years of musical history. When the “Philharmonic Orchestra” and the “Orchestra of the Hamburg Municipal Theatre” merged in 1934, two tradition-steeped orchestras combined. Philharmonic concerts have been performed in Hamburg since 1828, artists such as Clara Schumann, Franz Liszt and Johannes Brahms being regular guests of the Philharmonic Society. The history of the opera company goes back even further: Hamburg has been home to musical theatre since 1678, even if a regular opera or theatre orchestra was only formed later. To this day, the Philharmonic State Orchestra has embodied the sound of the Hansa City, a concert and opera orchestra in one.

During its long history, the orchestra encountered great artist personalities. Apart from composers of the 18th, 19th and 20th centuries, such as Telemann, Tchaikovsky, Strauss, Mahler, Prokofiev and Stravinsky, since the 20th century chief conductors such as Karl Muck, Joseph Keilberth, Eugen Jochum, Wolfgang Sawallisch, Horst Stein, Aldo Ceccato, Christoph von Dohnányi, Gerd Albrecht, Ingo Metzmacher and Simone Young have shaped the orchestra’s sound. Renowned conductors of the pre-war era such as Otto Klemperer, Wilhelm Furtwängler, Bruno Walter, Karl Böhm and Hans Schmidt-Isserstedt gave brilliant performances, as did outstanding conductors of our times: suffice it to mention Christian Thielemann, Semyon Bychkov, Kirill Petrenko, Adam Fischer and Sir Roger Norrington.

Starting with the 2015/2016 season, Kent Nagano has taken on the position of Hamburg’s General Music Director and Chief Conductor of the Philharmonic State Orchestra and the Hamburg State Opera and since June 2023 also its honorary conductor. In his first season Kent Nagano initiated a new project, the Philharmonic Academy, focusing on experimentation and chamber music. In 2016, Nagano and the Philharmonic toured South America, followed by concert tours to Spain and Japan in 2019, and in the spring of 2023, the Philharmonic State Orchestra made its debut at New York's Carnegie Hall under his direction, which was acclaimed by audiences and the press. Since 2017 Kent Nagano and the Philharmonic State Orchestra have continued the traditional Philharmonic Concerts at the new Elbphilharmonie, for which they commissioned Jörg Widmann to compose the oratorio ARCHE, which was given its world premiere during the hall’s opening festivities. The concert recording has been released by ECM, for which Widmann received the OPUS KLASSIK as Composer of the Year 2019, and ARCHE was performed again in 2023 to great acclaim.

The Philharmonic State Orchestra offers approximately 35 concerts per season and performs more than 240 performances per year at the Hamburg State Opera and the Hamburg Ballet John Neumeier, making it Hamburg’s busiest orchestra. The stylistic bandwidth covered by the 140 musicians, ranging from historically informed performance practice to contemporary works and including concert, opera and ballet repertoire, is unique throughout Germany. Chamber Music has a long tradition at the Philharmonic State Orchestra: what began in 1929 with a concert series for chamber orchestra has been continued since 1968 by a series of chamber music only.

In 2008 Simone Young and the Philharmonic State Orchestra won the Brahms Award of the Schleswig-Holstein Brahms Society. The orchestra has recorded the complete Ring by Wagner as well as the complete symphonies of Johannes Brahms and Anton Bruckner – the latter in the rarely-performed original versions – as well as works by Mahler, Hindemith and Berg, and has released DVDs of opera and ballet productions by Hosokawa, Offenbach, Reimann, Auerbach, J.S. Bach, Puccini, Poulenc and Weber.

The members of the Philharmonic State Orchestra feel equally beholden to Hamburg’s musical tradition and responsible for the city’s artistic future. Since 1978 the musicians have been participating in education programmes in Hamburg’s schools. Today, the orchestra maintains a broad education programme, including school and kindergarten visits, patronage for music projects, introductory events for children and family concerts. The orchestra’s own academy prepares young musicians for their professional careers. The Philharmonic’s musicians thereby make an equally enjoyable and valuable contribution to tomorrow’s music education in the music metropolis of Hamburg.

Performances

photo: Foto: Felix Broede

Cast

Paolo Arrivabeni

Performances

Christian Günther

Performances

George Petean

Performances

Marco Berti

Performances

Olga Peretyatko

Performances

Kristina Stanek

Performances

Hubert Kowalczyk

Performances

Marie Maidowski

Performances

Aaron Godfrey-Mayes

Performances

Chor der Hamburgischen Staatsoper

Performances

Philharmonisches Staatsorchester Hamburg

Performances