Staatsoper Hamburg - Stück-Besetzung: Wolfgang Amadeus Mozart

Musikalische Leitung

Leo Hussain

Chor

Eberhard Friedrich

Leitung Hamburger Alsterspatzen

Luiz de Godoy

Musical Direction

Luiz de Godoy

Birthplace:
Mogi das Cruzes, Brasil

Studies:
Piano at Universidade de São Paulo (Bachelor) and at Escola Superior de Artes Aplicadas (Master), Erasmus stay with focus on piano and conducting at Hochschule für Musik und Tanz Köln, Diploma course conducting at Universität für Musik und Darstellende Kunst Wien (with honors)

Prizes:
Würdigungspreis der Universität für Musik und darstellende Kunst Wien (2019), Scholarship from UNESCO, the European Union and the Brazilian Ministry of Education and Cultural Affairs, Erwin-Ortner-Preis zur Förderung der Chormusik (2016)

Relation to the Hamburg State Opera:
Leader Alsterspatzen since 2019/20

Repertoire:
Focus on choral symphonic repertoire (spiritual and secular oratorios; in particular Wiener Klassik and Deutsche Romantik), special relationship to performance practices of old and new music

Career stages:
conductor of the Wiener Sängerknaben (2016–2019), choir director of Chorakademie des Wiener Staatsopernchores (2016–2018), assistent of the artistic director of the Wiener Singakademie at the Wiener Konzerthaus (2015–2019), musical director of Opera Studio at Sommerfestival „ Música nas Montanhas“ in Poços de Caldas, Brasilien (2010–2012), corepeater of opera projekts at Theatro Municipal de São Paulo (2005–2009)

Stages:
Esplanade Singapur, Peking National Opera, Seoul Lotte Hall, Shanghai Oriental Art Center, Taiwan National Theater, Teatro Real Madrid, Theatro Municipal de São Paulo, Tokyo Opera City Hall, Wiener Konzerthaus, Wiener Musikverein; Carinthischer Sommer, Dresdner Musikfestspiele, Grafenegg Festival, Schleswig-Holstein Festival

Cooperations with orchestras (as conductor):
Camerata Schulz, ORF Radio-Symphonieorchester Wien, Orquestra de la Armada de Chile, Orquestra Juvenil da Bahia, Polish Baltic Filharmonic, Schubert-Akademie Wien, Youth-Orchestra Singapur et al.

cooperations (choral rehearsal / assistance):
Berliner Philharmoniker, Les Sciècles, Mariinsky-Theaterorchester Wiener Philharmoniker, Wiener Symphoniker et al.

Cooperations with artists:
Gustavo Dudamel, Valery Gergiev, Ton Koopman, Sir Simon Rattle, Simone Young, Franz Welser-Möst

Performances

photo: Fernanda Nigro

Sarastro

Alexander Roslavets

Bass

Alexander Roslavets

Birthplace:
Brest, Belarus

Studies:
Rimsky-Korsakov Staatskonservatorium in St. Petersburg bei Professor Nikolai Okhotnikov (2009-2014), Young Artist Programme Bolschoi-Theater in Moskau (2014-2016)

Master classes:
With Elena Obraztsova, Edda Moser, Dmitry Vdovin, Evgeny Nesterenko, Irina Bogacheva, Lubov Orfenova, Neil Shicoff, Bernd Weikl, Carol Vaness, John Fisher

Prizes:
Third prize in the first International Music Competition in Harbin (2018), third and special prize in the Queen Sonja International Music Competition (2017), second prize in the second International Opera Singing Competition of Portofino (2017), special prize in the 36th International Hans Gabor Belvedere Singing Competition (2017), grand prix and audience prize in the second International Eva Marton singing competition in Budapest (2016), second prize in the sixth Galina Vishnevskaya International Opera Singers Competition (2016), grand prix in the Special Foundation Of The President Of Belarus Supporting Talented Youth (2016), first prize in the seventh International Competition of Opera Singers in Saint-Petersburg (2015), diploma in the 10th Elena Obraztsova International Competition Of Young Opera Singers (2015), special prize in the first International Christmas Vocal Competition in Minsk (2014), grand prix in the 42nd Russian National Vocal Graduates Competition in St. Petersburg (2014)

Relation to the Hamburg State Opera:
Ensemble member of the Hamburg State Opera since 2016/17

Important parts:
Malyuta Skuratov (Die Zarenbraut), Mephistopheles (Faust), König Dodon (Der goldene Hahn), Colline (La Bohème), Bartolo (Le Nozze de Figaro), Commenadatore, Masetto (Don Giovanni), Brander (La Damnation de Faust), Il Conte di Monterone (Rigoletto), 5.Jude (Salome), Lodovico (Otello), Il Sagrestano und Cesare Angelotti (Tosca), Raimondo Bidebent (Lucia di Lammermoor), Peter Quince (A Midsummer Night’s Dream), Lo zio Bonzo (Madama Butterfly), Don Basilio (Il Barbiere di Siviglia), Fafner (Das Rheingold), Fafner (Siegfried), Sarastro (Die Zauberflöte), King René (Iolanta), Banco (Macbeth), Prince Gremin (Eugen Onegin), Daland (Der Fliegende Holländer), Vodnik (Rusalka), Dulcamara (L’Elisir d’Amore), Ali Baba (Ali Baba), et al.

Stages:
Mikhailovsky Theater, Bolschoi Theater, Tschaikowsky-Konzertsaal in Moskau, Bolschoi Theater in Weißrussland, St. Petersburger Philharmonie benannt nach Schostakowitsch, Ungarische Staatsoper, Hamburgische Staatsoper, Teatro alla Scala, Metropolitan Opera, Glyndebourne Festival, Berliner Philharmoniker, et al.

Cooperation with directors:
Rimas Tuminas, Calixto Bieito, Tito Capobianco, Paul Curran, Stanislav Gaudasinsky, Peter Stein, Alexey Stepaniuk, Achim Freyer, Liliana Cavani, Mariusz Trelinski, Melly Still, Jan Bosse, et al.

Cooperation with conductors:
Adam Fischer, Robin Ticciati, Henrik Nanasi, Vladimir Jurowski, Ainars Rubikis, Daniele Rustioni, Tugan Sokhiev, Fabio Mastrangelo, Anton Grishanin, Michal Klauza, Gregor Bühl, Kent Nagano, Paolo Carignani, Renato Palumbo, Pier Giorgio Morandi, Yves Abel, Stefano Ranzani, Carlo Rizzari, Christof Prick, Nathan Brock, Sergei Stadler, Yuri Simonov, Michail Jurowski, Vladimir Fedoseyev, Alexander Anisimov, et al.

Performances

photo: Martin Paulsson

Tamino

Seungwoo Simon Yang

Tenor

Seungwoo Simon Yang

Birthplace:
Gwangyang, South Korea

Studies:
Singing at Hochschule für Musik und Theater Hamburg with Prof. Carolyn Grace James

Master class:
Bo Skovhus, Eytan Pessen, Lioba Braun, Brigitte Eisenfeld, Gregory Kunde, Chris Merritt, Piotr Beczala, Dorothea Röschmann, Kwangchul Youn, Olga Peretyatko, Ralph Strehle, Harald Stamm, et al.

Prizes:
1st Prize Elise Meyer Competition (2020), 1st Prize of the Mozart Singing Competition (2020), Special Prize and 2nd Prize of the Maritim Music Award (2019), 2nd Prize of the Maritim Music Award (2018), 1st Prize of the Korean Singing Competition (2015), 1st Prize of the Korea Talent Award (2015), 1st Prize of the Ehwa & Kyunghyang Competition (2014), 1st Prize Shin Young-Ok Voice Competition (2014), 1st Prize of the Shinhan Music Award (2014)

Relation to the Hamburg State Opera:
Ensemble member of the Hamburg State Opera since the 2023/24 season
Was Member of the International Opera Studio of the Hamburg State Opera from 2020/21 to 2023/24

Important parts:
Lord Arturo Bucklaw (Lucia di Lammermoor), Pong (Turandot), Alfred (Die Fledermaus), Beppe (Pagliacci), Jaquino (Fidelio), Tamino (Die Zauberflöte), Ferrando (Così fan tutte), Pilade (Oreste), Nemorino (L'Elisir d'amore), Rodolfo (La Bohème), et al.

Stages:
Hamburg State Opera, Zurich Opera, Salzburg Festival

Cooperation with directors:
Guy Montavon, Yona Kim, Sascha Alexander Todtner, Amélie Niermeyer

Cooperation with conductors:
Kent Nagano, Stefano Ranzani, Roberto Rizzi-Brignoli, Francesco Ivan Ciampa, Daniele Callegari, Giampaolo Bisanti, Leonardo Sini, Matteo Beltrarmi, Paolo Arrivabini, Giacomo Sagripanti, et al.

Performances

photo: Johannes Xaver Zepplin

Pamina

Adriana González

Sprecher

David Minseok Kang

Priester

Mziwamadoda Sipho Nodlayiya

Königin der Nacht

Aleksandra Olczyk

Erste Dame

Hellen Kwon

Soprano

Hellen Kwon

Birthplace:
Seoul, South Korea

Studies:
Hochschule für Musik Köln with Dietger Jacob (1979-1984)

Prizes:
First prize in the Novara International Singing Competition (1984), winner of the Dr. Wilhelm Oberdörffer Preis (1987), Rolf-Mares-Preis in the category “Exceptional Performances of an Actresses” for her interpretation of “Frau” in Wolfgang Rihm’s “Das Gehege” (2010), Grammy Award Nomination for the recording of Walter von Braunfels’ “Die Vögel” conducted by Lothar Zagrosek, honored with the title of “Hamburger Kammersängerin” by the Hamburg Senate (2011), “Order of Civil” by the Korean Government for exceptional artistic achievements (2013), “Star of Ewha” Prize (2018)

Relation to the Hamburg State Opera:
Ensemble member of the Hamburg State Opera since 1987/88

Important parts:
The Queen of the Night (Die Zauberflöte), Zerbinetta (Ariadne auf Naxos), Sophie (Der Rosenkavalier), Zdenka (Arabella), Susanna (Le Nozze di Figaro), Blonde/Konstanze (Die Entführung aus dem Serail), Fiordiligi (Così fan tutte), Donna Anna/Donna Elvira (Don Giovanni), Despina/Fiordiligi (Così fan tutte), Elettra (Idomeneo), Vitellia (La clemenza di Tito), Musetta/Mimì (La Bohème), Cio-Cio-San (Madama Butterfly), Liú (Turandot), Violetta Valéry (La Traviata), Gilda (Rigoletto), Oscar (Un Ballo in Maschera), Rosina (Il Barbiere di Siviglia), Micaëla (Carmen), Norina (Don Pasquale), Adina (L’Elisir d’Amore), Adele/Rosalinde (Die Fledermaus), Agathe (Der Freischütz), Senta (Der fliegende Holländer), Minni (La Fanciulla del West), Frau (Das Gehege), Salome/Herodias (Salome), Chrysothemis (Elektra), et al.

Stages:
Hamburgische Staatsoper, Bayerische Staatsoper, Bayreuther Festspiele, Staatsoper Unter den Linden Berlin, Semperoper Dresden, Gewandhaus Leipzig, Oper Leipzig, Oper Stuttgart, Oper Köln, Deutsche Oper am Rhein, Staatstheater Wiesbaden, Wiener Staatsoper, Wiener Festwochen, Salzburger Festspiele, Opernhaus Zürich, Grand Théâtre de Genève, Concertgebouw Amsterdam, Festival d‘Aix-en-Provence, Opéra Comique de Paris, Glyndebourne Festival, Den Norske Opera, Accademia Nazionale di Santa Cecilia, Teatro Filarmonico Verona, The Israeli Opera, Jerusalem Opera Festival, New National Theatere Tokio, Korean National Opera, et al.

Cooperation with directors:
Achim Freyer, Peter Konwitschny, Johannes Schaaf, Günther Krämer, Marco Marelli, Jean-Pierre Ponnelle, Peter Sellars, John Dew, Adolf Dresen, Nikolas Brieger, Johannes Erath, Claus Guth, et al.

Cooperation with conductors:
Giuseppe Sinopoli, Vladimir Ashkenazy, Horst Stein, Neville Marriner, Zubin Mehta, James Levine, Jeffrey Tate, Marcello Viotti, Simone Young, Nikolaus Harnoncourt, Wolfgang Sawallisch, Kent Nagano, Christian Thielemann, et al.

Performances

photo: Martina Cyman

Zweite Dame

Claire Gascoin

Dritte Dame

Ida Aldrian

mezzo-soprano

Ida Aldrian

Birthplace:
Bruck an der Mur, Austria

Studies:
University of Music and Performing Arts Vienna with Leopold Spitzer and Karlheinz Hanser; studies for Stage Performance (Opera and Musical Drama), Art Song and Oratorio with KS Marjana Lipovšek with honors; member of International Opera Studio of the Hamburg State Opera (2012/13–2013/14)

Master class:
With Ann Murray, Bernarda Fink, Reri Grist, Peter Kooij, Andrew Watts, Thomas Hampson, Wicus Slabbert, Alan Titus, Brigitte Fassbaender, et al.

Prizes:
Dr.-Wilhelm-Oberdörffer-Preis of Stiftung zur Förderung der Hamburgischen Staatsoper (2014), prize winner of the jury ranking at international singing competition „Stella Maris“ (2014)

Relation to the State Opera:
Ensemble member of the Hamburg State Opera since the season 2019/20

Important parts:
Wellgunde (Das Rheingold and Götterdämmerung), Siegrune and Rossweiße (Die Walküre), Blumenmädchen and Stimme aus der Höhe (Parsifal ), 2. Maid (Daphne), Feodor (Boris Godunov), Maddalena (Rigoletto), Hansel (Hansel and Gretel), Isabella (L'Italiana in Algeri), Adalgisa (Norma), Idamante (Idomeneo), Third Lady (The Magic Flute), Rosina (Il Barbiere di Siviglia), Penelope (Il Ritorno d'Ulisse in Patria), Mercedes (Carmen), Tisbe (La Cenerentola), Laura (Luisa Miller), Flora and Annina (La Traviata), Cherubino (Le Nozze di Figaro), Dorabella (Così fan tutte), Meg Page (Falstaff), Dryade (Ariadne auf Naxos), Orlofski (Die Fledermaus), et al.

Stages:
Elbphilharmonie, Concertgebouw Amsterdam, Kölner Philharmonie, Wiener Konzerthaus, Musikverein Wien, Staatstheater Nürnberg, Grafenegg Festival, Laeiszhalle Hamburg, Barocktage Melk, Styriarte, International Brucknerfest Linz, Staatsoper Unter den Linden, et al.

Cooperation with directors:
Andreas Homoki, Georg Schmiedleitner, Laura Scozzi, Mariame Clément, Verena Stoiber, Peter Konwitschny, Stéphane Braunschweig, David Bösch, et al.

Cooperation with conductors:
Simone Young, Kent Nagano, Martin Haselböck, Marcus Bosch, Yutaka Sado, Pablo Heras-Casado, Christopher Moulds, Cornelius Meister, Fabio Luisi, Andrés Orozco-Estrada, Simon Gaudenz, et al.

Find further information about Ida Aldrian here.

Performances

photo: Christoph Ziegler

Papageno

Benjamin Appl

Monostatos

Peter Galliard

Tenor

Peter Galliard

Birthplace:
Chur, Switzerland

Studies:
With Rico Peterelli, Conservatory in Feldkirch with Maria Eibenschütz, at the Mozarteum Salzburg with Rudolf Knoll

Prizes:
First Prize at the International Mozart Competition (1985), Förderpreis of the Kanton Graubünden (1987), Dr. Wilhelm-Oberdörffer-Preis of the Stiftung zur Förderung der Hamburgischen Staatsoper (1989), honored by the Hamburg Senate with the title of “Kammersänger” (2017)

Relation to the Hamburg State Opera:
Ensemble member of the Hamburg State Opera since 1986/87

Important parts:
Tamino (Die Zauberflöte), Jaquino (Fidelio), Cassio (Otello), Froh and Loge (Das Rheingold), Alfred and Eisenstein (Die Fledermaus), Peter Iwanow (Zar und Zimmermann), Bardolfo (Falstaff), Hauptmann (Wozzeck), Knusperhexe (Hänsel und Gretel), Lenski (Eugen Onegin), Narraboth (Salome), Don Basilio (Le Nozze di Figaro), Prinz and Hauptmann (Lulu), L’Aumonier (Dialogues des Carmélites), Melot (Tristan und Isolde), Walther von der Vogelweide (Tannhäuser), Wolfgang Capito (Mathis der Maler), Goro (Madama Butterfly), Red Whiskers (Billy Budd), Dämon (L’Upupa und der Triumph der Sohnesliebe), Bischof von Budoja (Palestrina), Mime (Siegfried), et al.

Stages:
Hamburgische Staatsoper, Lucerne Festival, Salzburger Osterfestspiele, Opéra National de Paris, Enescu Festival in Bukarest, Staatsoper Unter den Linden Berlin, Deutsche Oper Berlin, Oper Frankfurt, Semperoper Dresden, Oper Leipzig, Staatstheater Nürnberg, et al.

Cooperation with directors:
Claus Guth, August Everding, Johannes Schaaf, Harry Kupfer, Peter Konwitschny, Johannes Erath, Renaud Doucet, Georg Schmiedleitner, Stefan Herheim, Herbert Wernicke, Calixto Bieito, Willy Decker, Paul-Georg Dittrich, et al.

Cooperation with conductors:
Nikolaus Harnoncourt, Christian Thielemann, Ingo Metzmacher, Simone Young, Kirill Petrenko, Kent Nagano, Lawrence Foster, Gerrit Prießnitz, Marcus Bosch, Philippe Jordan, Paolo Carignani, Vaclav Luks, et al.

Performances

photo: Martina Cyman

Papagena

Yeonjoo Katharina Jang

Erster Geharnischter

Mziwamadoda Sipho Nodlayiya

Zweiter Geharnischter

Keith Klein

Drei Knaben

Solisten des Hamburger Knabenchores

Choir

Solisten des Hamburger Knabenchores

For more than fifty years, boys have discovered their love of music at Hamburg's Boys Choir. They grow up and mature with masterworks from music history that are simply part of their everyday lives, and they take many unique experiences and skills into their adult lives.

Established in 1960 as the Boys Choir of Northern Germany Radio, currently about one hundred boys and young men aged from 5 to 25 sing in Hamburg's Boys Choir. At various choral levels, they are comprehensively prepared for the choir’s demanding repertoire and active concert schedule.

The choir’s repertoire comprises both an extensive range of a capella works as well as large oratorios. Bach’s passions and Christmas Oratorio are performed annually. Other works of their core repertoire include Haydn's Creation (performed in 2019 in Tokyo), Mozart's "Mass in C-minor" and "Requiem", Schubert's Mass in E flat-major, Mendelsohns' "Elias" and "Paulus", Faure's "Requiem", Britten's "War Requiem", as well Bernstein's "Chichester Psalms" and "Mass".

The choir can be regularly heard performing motets in the services of Hamburg’s main protestant Church St. Nikolai, with which it is associated. These numerous performances ensure a regular fine-tuning of the choir, something that also characterizes boarding school choirs. The Hamburg Boys Choir is a regular guest of professional ensembles as well as concert halls and opera houses. Soloists from the choir have taken on the parts of the three boys in Mozart's "Magic Flute" at opera houses from Kiel and Lübeck to Lisbon. In October 2021, they sang Alban Berg's "Wozzeck" at Elbphilharmonie, conducted by Zubin Metha. The choir sang in 2022, for example with Kent Nagano and Thomas Hengelbrock.

Concert tours both in Germany and abroad are also part of the Hamburg Boys Choir's established traditions. The choir has toured in Asia several times, as well as in Argentina and several European countries. In 2022, the Choir performed in São Paulo and Vienna.

LUIZ DE GODOY
Artistic Director

Luiz de Godoy discovered his love of music at the age of five. He completed his training in piano solo, choral and orchestral conducting over several stages in Brazil, the USA, France, Germany and Austria. In 2019, he received the appreciation award from his Viennese alma mater, the University of Music and Performing Arts Vienna. He has also worked as a choral conductor for renowned ensembles such as the Vienna Singakademie and the Chorakademie of the Vienna State Opera and has worked with many greats such as Gustavo Dudamel, Valery Gergiev, Ton Koopman, Sir Simon Rattle, Franz Welser-Möst and Simone Young, as well as the Berlin and Vienna Philharmonic Orchestras, among others. He made his debut as an orchestral conductor in Brazil in 2015 and subsequently conducted in several countries in Europe, Asia and South America, including the ORF Vienna Radio Symphony Orchestra and the Hamburg Philharmonic State Orchestra in productions of the Hamburg State Opera.

In 2016, Luiz de Godoy was appointed Kapellmeister of the Vienna Boys' Choir, with whom he toured over 20 countries. At the same time, he was awarded the Erwin Ortner Prize for the Promotion of Choral Music. The Hamburg State Opera brought him to the Hanseatic city for the 2019/20 season and entrusted him with the direction of its children's and youth choir. Since January 2021, Luiz de Godoy has also been the artistic director of the Hamburg Boys' Choir.

Find further information about Solisten des Hamburger Knabenchores here.

Performances

Die Zauberflöte (The Magic Flute)

photo: Marcelo Hernandez

Orchester

Philharmonisches Staatsorchester Hamburg

Orchestra

Philharmonisches Staatsorchester Hamburg

The Philharmonic State Orchestra is Hamburg’s largest and oldest orchestra, looking back on many years of musical history. When the “Philharmonic Orchestra” and the “Orchestra of the Hamburg Municipal Theatre” merged in 1934, two tradition-steeped orchestras combined. Philharmonic concerts have been performed in Hamburg since 1828, artists such as Clara Schumann, Franz Liszt and Johannes Brahms being regular guests of the Philharmonic Society. The history of the opera company goes back even further: Hamburg has been home to musical theatre since 1678, even if a regular opera or theatre orchestra was only formed later. To this day, the Philharmonic State Orchestra has embodied the sound of the Hansa City, a concert and opera orchestra in one.

During its long history, the orchestra encountered great artist personalities. Apart from composers of the 18th, 19th and 20th centuries, such as Telemann, Tchaikovsky, Strauss, Mahler, Prokofiev and Stravinsky, since the 20th century chief conductors such as Karl Muck, Joseph Keilberth, Eugen Jochum, Wolfgang Sawallisch, Horst Stein, Aldo Ceccato, Christoph von Dohnányi, Gerd Albrecht, Ingo Metzmacher and Simone Young have shaped the orchestra’s sound. Renowned conductors of the pre-war era such as Otto Klemperer, Wilhelm Furtwängler, Bruno Walter, Karl Böhm and Hans Schmidt-Isserstedt gave brilliant performances, as did outstanding conductors of our times: suffice it to mention Christian Thielemann, Semyon Bychkov, Kirill Petrenko, Adam Fischer and Sir Roger Norrington.

Starting with the 2015/2016 season, Kent Nagano has taken on the position of Hamburg’s General Music Director and Chief Conductor of the Philharmonic State Orchestra and the Hamburg State Opera and since June 2023 also its honorary conductor. In his first season Kent Nagano initiated a new project, the Philharmonic Academy, focusing on experimentation and chamber music. In 2016, Nagano and the Philharmonic toured South America, followed by concert tours to Spain and Japan in 2019, and in the spring of 2023, the Philharmonic State Orchestra made its debut at New York's Carnegie Hall under his direction, which was acclaimed by audiences and the press. Since 2017 Kent Nagano and the Philharmonic State Orchestra have continued the traditional Philharmonic Concerts at the new Elbphilharmonie, for which they commissioned Jörg Widmann to compose the oratorio ARCHE, which was given its world premiere during the hall’s opening festivities. The concert recording has been released by ECM, for which Widmann received the OPUS KLASSIK as Composer of the Year 2019, and ARCHE was performed again in 2023 to great acclaim.

The Philharmonic State Orchestra offers approximately 35 concerts per season and performs more than 240 performances per year at the Hamburg State Opera and the Hamburg Ballet John Neumeier, making it Hamburg’s busiest orchestra. The stylistic bandwidth covered by the 140 musicians, ranging from historically informed performance practice to contemporary works and including concert, opera and ballet repertoire, is unique throughout Germany. Chamber Music has a long tradition at the Philharmonic State Orchestra: what began in 1929 with a concert series for chamber orchestra has been continued since 1968 by a series of chamber music only.

In 2008 Simone Young and the Philharmonic State Orchestra won the Brahms Award of the Schleswig-Holstein Brahms Society. The orchestra has recorded the complete Ring by Wagner as well as the complete symphonies of Johannes Brahms and Anton Bruckner – the latter in the rarely-performed original versions – as well as works by Mahler, Hindemith and Berg, and has released DVDs of opera and ballet productions by Hosokawa, Offenbach, Reimann, Auerbach, J.S. Bach, Puccini, Poulenc and Weber.

The members of the Philharmonic State Orchestra feel equally beholden to Hamburg’s musical tradition and responsible for the city’s artistic future. Since 1978 the musicians have been participating in education programmes in Hamburg’s schools. Today, the orchestra maintains a broad education programme, including school and kindergarten visits, patronage for music projects, introductory events for children and family concerts. The orchestra’s own academy prepares young musicians for their professional careers. The Philharmonic’s musicians thereby make an equally enjoyable and valuable contribution to tomorrow’s music education in the music metropolis of Hamburg.

Performances

photo: Foto: Felix Broede

Chor

Chor der Hamburgischen Staatsoper

Cast

Leo Hussain

Performances

Eberhard Friedrich

Performances

Luiz de Godoy

Performances

Alexander Roslavets

Performances

Seungwoo Simon Yang

Performances

Adriana González

Performances

David Minseok Kang

Performances

Mziwamadoda Sipho Nodlayiya

Performances

Aleksandra Olczyk

Performances

Hellen Kwon

Performances

Claire Gascoin

Performances

Ida Aldrian

Performances

Benjamin Appl

Performances

Peter Galliard

Performances

Yeonjoo Katharina Jang

Performances

Mziwamadoda Sipho Nodlayiya

Performances

Keith Klein

Performances

Solisten des Hamburger Knabenchores

Performances

Philharmonisches Staatsorchester Hamburg

Performances

Chor der Hamburgischen Staatsoper

Performances