Tue, Sep. 10, 2024, 7.30 pm | Elbphilharmonie, Recital Hall
3rd Academy Concert
Stefan Schäfer: “Reflections on a Good Morrow” for brass ensemble and percussion (premiere) - A work commissioned by the Hamburg Philharmonic State Orchestra
Wolfgang Amadeus Mozart: Serenade in C minor KV 388 “Nachtmusique” for two oboes, two clarinets, two horns and two bassoons
Fabian Otten: "Aber wehe, du bist" for marimba and string quintet (premiere) - A work commissioned by the Hamburg Philharmonic State Orchestra
Wolfgang Amadeus Mozart: String Quintet in G minor KV 516
Mitglieder des Philharmonischen Staatsorchesters Hamburg
Mitglieder des Philharmonischen Staatsorchesters Hamburg
The Philharmonic State Orchestra is Hamburg’s largest and oldest orchestra, looking back on many years of musical history. When the “Philharmonic Orchestra” and the “Orchestra of the Hamburg Municipal Theatre” merged in 1934, two tradition-steeped orchestras combined. Philharmonic concerts have been performed in Hamburg since 1828, artists such as Clara Schumann, Franz Liszt and Johannes Brahms being regular guests of the Philharmonic Society. The history of the opera company goes back even further: Hamburg has been home to musical theatre since 1678, even if a regular opera or theatre orchestra was only formed later. To this day, the Philharmonic State Orchestra has embodied the sound of the Hansa City, a concert and opera orchestra in one.
During its long history, the orchestra encountered great artist personalities. Apart from composers of the 18th, 19th and 20th centuries, such as Telemann, Tchaikovsky, Strauss, Mahler, Prokofiev and Stravinsky, since the 20th century chief conductors such as Karl Muck, Joseph Keilberth, Eugen Jochum, Wolfgang Sawallisch, Horst Stein, Aldo Ceccato, Christoph von Dohnányi, Gerd Albrecht, Ingo Metzmacher and Simone Young have shaped the orchestra’s sound. Renowned conductors of the pre-war era such as Otto Klemperer, Wilhelm Furtwängler, Bruno Walter, Karl Böhm and Hans Schmidt-Isserstedt gave brilliant performances, as did outstanding conductors of our times: suffice it to mention Christian Thielemann, Semyon Bychkov, Kirill Petrenko, Sir Neville Marriner, Valery Gergiev and Sir Roger Norrington.
Starting with the 2015/2016 season, Kent Nagano has taken on the position of Hamburg’s General Music Director and Chief Conductor of the Philharmonic State Orchestra and the Hamburg State Opera. In his first season Kent Nagano initiated a new project, the Philharmonic Academy, focusing on experimentation and chamber music. In 2016 Nagano and the Philharmonic undertook a successful three-week concert tour in South America, a tour of Spain followed in 2019. Since 2017 Kent Nagano and the Philharmonic State Orchestra have continued the traditional Philharmonic Concerts at the new Elbphilharmonie, for which they commissioned Jörg Widmann to compose the oratorio ARCHE, which was given its world premiere during the hall’s opening festivities. The concert recording has been released at ECM.
The Philharmonic State Orchestra offers approximately 35 concerts per season and performs more than 240 performances per year at the Hamburg State Opera and the Hamburg Ballet John Neumeier, making it Hamburg’s busiest orchestra. The stylistic bandwidth covered by the 140 musicians, ranging from historically informed performance practice to contemporary works and including concert, opera and ballet repertoire, is unique throughout Germany. Chamber Music has a long tradition at the Philharmonic State Orchestra: what began in 1929 with a concert series for chamber orchestra has been continued since 1968 by a series of chamber music only.
In 2008 Simone Young and the Philharmonic State Orchestra won the Brahms Award of the Schleswig-Holstein Brahms Society. The orchestra has recorded the complete Ring by Wagner as well as the complete symphonies of Johannes Brahms and Anton Bruckner – the latter in the rarely-performed original versions – as well as works by Mahler, Hindemith and Berg, and has released DVDs of opera and ballet productions by Hosokawa, Offenbach, Reimann, Auerbach, J.S. Bach, Puccini, Poulenc and Weber.
The members of the Philharmonic State Orchestra feel equally beholden to Hamburg’s musical tradition and responsible for the city’s artistic future. Since 1978 the musicians have been participating in education programmes in Hamburg’s schools. Today, the orchestra maintains a broad education programme, including school and kindergarten visits, patronage for music projects, introductory events for children and family concerts. The orchestra’s own academy prepares young musicians for their professional careers. The Philharmonic’s musicians thereby make an equally enjoyable and valuable contribution to tomorrow’s music education in the music metropolis of Hamburg.
In the 3rd Academy Concert, two premieres meet a good acquaintance: First up is Stefan Schäfer, solo double bassist of the Philharmonic State Orchestra, passionate chamber musician and composer. His “Reflections on a Good Morrow” was commissioned by the Philharmonic State Orchestra. The new is followed by the familiar: Wolfgang Amadeus Mozart and his “Night Music”. A demanding work with which Mozart – once again – exceeded the expectations of his time and composed chamber music with an almost symphonic gesture. Fabian Otten shows how much your own music-making and composing benefit from each other and can even depend on each other. The first drummer and timpanist of the Philharmonic State Orchestra has been studying in the master's program in composition at the HfMT Hamburg since 2022 and is composing a commissioned work for string quintet and percussion for this concert. The final musical word belongs again to Mozart, whose string quintets were considered by Franz Schubert to be a “beneficial departure from a brighter, better life” and to modern musicology as “his greatest achievement in chamber music” (Charles Rosen). His String Quintet in G minor stands par excellence for Mozart's very own musical language and the purity and beauty of the artistic form.
